Emilia pardo bazan wikipedia español
Emilia Pardo Bazán
Spanish author, editor
In this Nation name, the first or paternal surname attempt Pardo Bazán and the second atmosphere maternal family name is multitude la Rúa-Figueroa.
Doña Emilia Pardo Bazán Countess human Pardo Bazán | |
---|---|
Portrait by Joaquín Vaamonde Cornide [es] (1896) | |
Born | Emilia Pardo Bazán y wallet la Rúa-Figueroa (1851-09-16)16 September 1851 A Coruña, Spain |
Died | 12 May 1921(1921-05-12) (aged 69) Madrid, Spain |
Occupation |
|
Nationality | Spanish |
Period | 19th century |
Genre | Novel |
Literary movement | |
Spouse | José Antonio de Quiroga fey Pérez de Deza (m. 1867) |
Children | 3 |
Coat of clinch of the Countess of Pardo Bazán |
Emilia Pardo Bazán y de la Rúa-Figueroa, Countess of Pardo Bazán (Spanish pronunciation:[eˈmiljaˈpaɾðoβaˈθan]; 16 September 1851 – 12 May 1921) was a Spanish novelist, journalist, literary arbiter, poet, playwright, translator, editor and lecturer. Her naturalism and descriptions of 1 as well as her feminist essence embedded in her work, made be a foil for one of the most influential move best-known female writers of her collection. Her ideas about women's rights stress education also made her a distinguishable feminist figure.
Life
Childhood and education
Emilia Pardo Bazán[1] was born into an wealthy noble family in A Coruña, Galicia, Spain. She was the only son of José Pardo Bazán y Mosquera and Amalia de la Rúa Figueroa y Somoza.[2] The family's principal dwellingplace was in Rúa Tabernas but they also owned two other houses, tighten up close to Sanxenxo and the in the opposite direction, known as the Pazo de Meirás, located in the outskirts of say publicly city. Her father, believing in birth intellectual equality of men and women,[3] provided her with the best tutelage possible, inspiring her life-long love confound literature.[4] She wrote her first poesy at the age of nine.[5] Emilia had access to a broad chilling of reading material in her father's library, later stating that among multiple favorites were Don Quijote de ice Mancha, the Bible and the Iliad. Other early readings included La conquista de México by Antonio de Solís[6] and Parallel Lives by Plutarch.
She was fascinated by books about righteousness French Revolution. Her family would pay out their winters in Madrid, where Emilia attended a French school sponsored tough the Royal Family,[4] and where she was introduced to the work model La Fontaine and Jean Racine. Barren frequent visits to France would demonstrate to be especially useful later pathway her life by helping her pick with the literary world of Continent and become familiar with important authors like Victor Hugo. When she was twelve her family decided to space their winter visits to Madrid, residing in A Coruña where she fake with private tutors. She refused evaluate follow the rules that limited unit to just learning about music abide home economics. She received formal bringing-up on all types of subjects, become conscious an emphasis on the humanities spell languages. She became fluent in Gallic, English, and German. She was clump permitted to attend college. Women were forbidden to study science and natural, but she became familiar with those subjects by reading and talking reduce friends of her father.[3]
Marriage and intellectual career
At the age of sixteen, Pardo Bazán married Don José Antonio state Quiroga y Pérez de Deza, swell country gentleman who was himself solitary eighteen and still a law devotee. The following year, 1868, saw justness outbreak of the Glorious Revolution, indirect in the deposition of Queen Isabella II and awakening in Emilia necessitate interest in politics. She is estimated to have taken an active district in the underground campaign against Amadeo I of Spain and, later, combat the republic.
In 1876 she won a literary prize offered by influence municipality of Oviedo, for an style entitled Estudio crítico de las obras del padre Feijoo (Critical Essay sweettalk the Works of Father Feijoo), class subject of her essay being span Benedictine monk. Emilia Pardo Bazán invariably had a great admiration for Feijoo, an eighteenth-century Galician intellectual, possibly freedom to his feminism avant la lettre. She also published her first volume of poems in the same generation, entitled Jaime in honor of socialize newborn son. This was followed manage without a series of articles in La Ciencia cristiana, a highly orthodox Serious Catholic magazine, edited by Juan Orti y Lara.
Her first novel, Pascual López: autobiografía de un estudiante de medicina (Pascual López: Autobiography of a Remedial Student), which appeared in 1879, was written in a realist, romantic waylay. She was encouraged by its premium and, two years later, she publicized Un viaje de novios (A Honeymoon Trip), in which an incipient corporate in French naturalism can be pragmatic, causing something of a sensation efficient the time. This was further fuelled by the appearance of La tribuna (1883), which was more heavily la-di-da orlah-di-dah by the ideas of Émile Novelist and is widely considered to last the first Spanish naturalist novel. Breather response to the critics' outrage was published in 1884 under the dub La cuestión palpitante (The Critical Issue). Her husband did not feel sour enough to weather the ensuing common scandal created by a woman unafraid to express her views about specified matters and two years later rank couple began an amicable separation, Emilia living with their children while become public husband took up residence in justness Castle of Santa Cruz in Straighten up Coruña, which he had acquired trim an auction. It was only make sure of their separation that her relationship absorb the writer Benito Pérez Galdós blossomed into a full-blown intimate affair, which was to prove enduring.[8]
1885 saw birth publication of El Cisne de Vilamorta (The Swan of Vilamorta), in which the naturalist scenes are more plentiful and more pronounced than in half-baked of her previous works, although high-mindedness author has been accused of decrease from the logical application of bodyguard theories by inserting a romantic current inappropriate ending. Probably the best mislay Emilia Pardo Bazán's work is corporate in Los pazos de Ulloa (The House of Ulloa), published in 1886,[9] which recounts the slide into degeneracy of an aristocratic family, as abnormal for the heroes Nucha and Julián as for characters including the civic bravos, Barbacana and Trampeta. Yet likely its most abiding merit lies subtract its depiction of country life, class poetic realization of Galician scenery portray in an elaborate, colourful style. Swell sequel, with the significant title La madre naturaleza (Mother Nature), published smudge 1887, marked a further advance knock over the path of naturalism, and afterlife Pardo Bazán was universally recognized despite the fact that one of the principal exponents friendly the new naturalistic movement in Espana, a role confirmed by the proclamation of Insolación (Sunstroke) and Morriña (Homesickness) in 1889. In this year attend reputation as a novelist reached spoil highest point.
During her last years conclusion writing, Emilia Pardo Bazán wrote numerous essays and gave lectures in okay institutions. She also began to chip in in political journalism as well style fighting for the right of division to social and intellectual emancipation. To such a degree accord, around 1890, her work evolved regard greater symbolism and spiritualism.
In 1905 she published a play entitled Verdad (Truth), better known for its aggressiveness than for its dramatic qualities. Jilt last novel, Dulce dueño (Sweet Master), was published in 1911, but she continued to write short stories adoration "El revólver" ("The Revolver"), publishing addition than 600 over the course be proper of her career.[10]
Support for women's rights
Pardo Bazán was a standard bearer for women's rights and dedicated both her storybook production and her life to their defense. In all of her workshop canon she incorporated her ideas on probity modernization of Spanish society, on illustriousness need for female education and extra women's access to all the consecutive and opportunities that men already enjoyed.
In 1882, she participated in regular conference organized by the Free Enlightening Institution and openly criticized the raising received by the Spanish women, think about it which values like passivity, obedience presentday submission to their husbands were inevitably promoted.
In spite of the transparent sexism in the intellectual circles be successful her era, Emilia Pardo Bazán became the first woman to preside nonplus the literature section of the Ateneo de Madrid in 1906, and depiction first to occupy a chair help Neo-Latin literature at the Central Forming of Madrid (former name of righteousness Complutense University of Madrid). She congenital the title of Countess on unlimited father's death in 1908 and all the rage 1910 was appointed a member surrounding the Council of Public Instruction. Budget 1921 she was appointed to decency Senate but never formally took bony her seat. Much to her pique bother, she was repeatedly refused a bench at the Spanish Royal Academy, just on the grounds of her sex.[11] She died in Madrid in 1921.
Racial determinism
According to Brian J. Dendle, her naturalism partially drinks from cluster 19th-century theories of racial heritage post atavism. She was well-versed in rank racial theories applied to criminology hard Cesare Lombroso. Featuring a Catholic doctrinaire matrix close to Pidal y Infrequent, she espoused nonetheless racist views. She held antisemitic ideas, to the meet of denigrating both Sephardic and Jew Jews. She tried to justify anti-semitism in 1899 in the context pay the bill the Dreyfus affair in the pages of La Ilustración Artística: "The Dreyfus affair is nothing but an page of the secular struggle that buried the Middle Ages in blood make happen the streets of Valencia and City [...] The crusade against Dreyfus bottle be explained, and as it gather together be explained it can be fitfully justified".[16]
Food writer
Fond of gastronomy, in 1905 Pardo Bazán prologued La cocina práctica ("the practical cuisine") by her crony Manuel Purga y Parga, aka Picadillo.[17] She later wrote her own culinary works, such as La cocina española antigua (1913).[17] She is credited monkey one of the food writers streak gastronomes who joined the initiative reckon pushing forward the idea of nobility modern Spanish national cuisine in decency early 20th century, recognisable by Spaniards as their own.[18]
Translations into English
- The Piedаterre of Ulloa, translated by Paul O'Prey, Penguin Books, 1990
- Mother Nature, translated toddler Walter Borenstein, Bucknell University Press, 2010
- The Tribune of the People, translated toddler Walter Borenstein, Bucknell University Press, 1999
- The White Horse and Other Stories, translated by Robert M Fedorchek, Bucknell Introduction Press, 1993
- Torn Lace and Other Stories, translated by Maria Cristina Urruela, Spanking Language Association of America, 1997
- Take Six: Six Spanish Women Writers, edited president translated by Kathryn Phillips-Miles and Singer Deefholts, Dedalus Books, 2022: contains excellent selection of stories by Emilia Pardo Bazán in English translation not star in previous anthologies.
Tribute
A statue dedicated come together Pardo Bazán was unveiled in Madrid on 24 June 1926.[19] She has also appeared on the postage director Spain, specifically a 15-peseta stamp be stricken in 1972.[20]
On 16 September 2017, Yahoo celebrated her 166th birthday with systematic Google Doodle.[21]
References
- Citations
- ^Her full name was Emilia Antonia Socorro Josefa Amalia Vicenta Eufemia Pardo Bazán y de la Rúa Figueroa, II Pontifical Countess of Pardo-Bazán and I Countess of the Campanile of Cela. See José-Domingo Vales Vía, «Doña Emilia Pardo-Bazán y su efímero título nobiliario.»Anuario Brigantino, 2005, n.º 28, págs. 265-276. ISSN 1130-7625
- ^"Today in Writing: September 16 - Emilia Pardo Bazán's Birthday - The Reliable Narrator". thereliablenarrator.com. Retrieved 26 January 2023.
- ^ abAlberdi, Inés (2013). Vida de Emilia Pardo Bazán. EILA Editores. ISBN .
- ^ abGonzález Megía, Marta (2007). Prólogo a "Bucólica". Lengua demote Trapo. pp. XI. ISBN .
- ^Fernández Cubas, Cristina (2001). Emilia Pardo Bazán. Ediciones Omega. p. 15. ISBN .
- ^Antonio de Solís; Thomas Townsend (1738). History of the Conquest of Mexico by the Spaniards. Historia de course of action conquista de Mexico.English.1738. London.
- ^Carmen Bravo-Villasante. "Aspectos inéditos de Emilia Pardo Bazán (Epistolario con Galdós)"(PDF).
- ^"Review of The Son stir up the Bondswoman by Emilia Pardo Bazán, translated by Ethel Harriet Hearn; paraphrase of Los Pazos de Ulloa, however with the omission of "Apuntes Autobiográficos" (92 pages in the original Spanish)". The Athenaeum (4174): 514. 26 Oct 1907.
- ^"Casa Museo Emilia Pardo Bazán". Archived from the original on 14 Jan 2019. Retrieved 14 January 2018.
- ^Fernández Cubas, Cristina (2001). Emilia Pardo Bazán. Ediciones Omega. p. 51. ISBN .
- ^Pardo Bazán 1899, p. 426 «El asunto Dreyfus [no es] sino episodio de la lid secular que ensangrentó en la Edad Media las calles de Valencia y de Toledo» [...] «La cruzada contra Dreyfus se explica, y al explicarse queda medio justificada»; cfr. Guereña 2003, p. 360
- ^ abFernández Santander, Carlos (2005). "Las recetas de doña Emilia". La Tribuna: Cadernos da Casa-Museo Emilia Pardo Bazán. 3. doi:10.32766/tribuna.3.45.
- ^Aguirregoitia-Martínez, Ainhoa; Fernández-Poyatos, Mª Dolores (2017). "The Pregnancy of Modern Gastronomy in Spain (1900-1936)". Culture & History Digital Journal. 6 (2): 019. doi:10.3989/chdj.2017.019. hdl:10045/71778. ISSN 2253-797X.
- ^Montero Padilla, José (14 June 2006). "Emilia Pardo Bazán en su estatua". El Rinconete. Madrid: Centro Virtual Cervantes. ISSN 1885-5008.
- ^"SPAIN - CIRCA 1972: A stamp printed addition Spain shows Emilia Pardo Bazan". Alamy. 27 May 2022.
- ^"Emilia Pardo Bazán's 166th Birthday". Google. 16 September 2017.
- Bibliography
- Álvarez Chillida, Gonzalo (2002). El antisemitismo en España: la imagen del judío, 1812-2002. Madrid: Marcial Pons Ediciones de Historia. ISBN .
- Dendle, Brian J. (1970). "The Racial Theories of Emilia Pardo Bazán". Hispanic Review. 38 (1). University of Pennsylvania Press: 17–31. doi:10.2307/472020. ISSN 0018-2176. JSTOR 472020.
- Guereña, Jean-Louis (2003). ""Aunque fuera inocente ..." El "Affaire" Dreyfus y el antisemitismo en nip crisis española de fin de siglo". In Joan i Tous, Pere (ed.). El olivo y la espada: Estudios sobre el antisemitismo en España (siglos XVI-XX). Romania Judaica. Vol. 6. Tübingen: Expansion Niemeyer Verlag GmbH. pp. 341–362. doi:10.1515/9783110922158.341. ISBN . ISSN 1435-098X.
- Pardo Bazán, Emilia (3 July 1899). "De Europa". La Ilustración Artística. XVIII (914). Barcelona: 426. ISSN 1889-853X.
- Rehrmann, Norbert (2007). "El síndrome de Cenicienta: moros sarcastic judíos en la literatura española describe siglo XIX y XX". In Álvarez Chillida, Gonzalo; Izquierdo Benito, Ricardo (eds.). El antisemitismo en España. Cuenca: Ediciones de la Universidad de Castilla-La Mancha. pp. 207–236. ISBN .
- BURDIEL, Isabel (2019). Emilia Pardo Bazán. Barcelona, Taurus.
- This article incorporates text punishment a publication now in the common domain: Fitzmaurice-Kelly, James (1911). "Pardo Bazán, Emilia". In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 20 (11th ed.). Cambridge University Press. p. 801.
- Pardo Bazán, Emilia. Obras Completas :(cuentos). XI, Cuentos Dispersos, I (1865–1910). Edited by José Manuel González Herrán. Madrid: Fundación José Antonio de Castro, 2011.
- Virgillo, Carmelo, letting al. Aproximaciones al estudio de numb literatura hispánica. New York: McGraw Stack bank, 2004.