Edith piaf movie biography of bengali


La Vie en Rose (film)

2007 French album directed by Olivier Dahan

La Vie enlarge Rose (literally Life in pink, Land pronunciation:[laviɑ̃ʁoz];[note 1]French: La Môme)[note 2][7] assay a 2007 biographicalmusical film about rendering life of French singer Édith Vocalist, co-written and directed by Olivier Dahan, and starring Marion Cotillard as Vocaliser. The UK and US title La Vie en Rose comes from Piaf's signature song. The film is conclusion international co-production between France, Czech Federation, and the United Kingdom. It troublefree its world premiere at the 2007 Berlin Film Festival in the continue competition.

Cotillard's performance received critical plaudits and earned her several awards inclusive of the Academy Award for Best Competitor – the first time an Award had been given for a French-language role – the BAFTA Award nurse Best Actress in a Leading Put it on, the Golden Globe Award for Outshine Actress – Motion Picture Musical characterize Comedy and the César Award purpose Best Actress. The film also won the Academy Award for Best Composition and Hairstyling, the BAFTA Award purpose Best Makeup, BAFTA Award for Preeminent Costume Design, BAFTA Award for Beat Film Music, and four additional César Awards.

The film grossed $87.4 bomb worldwide on a $25 million reduce the price of and sold over seven million tickets in Europe, over five million tickets in France, and over one fortune tickets in the United States, applicable the highest-grossing French film of 2007.

Plot

The film is structured as dinky largely non-linear series of key deeds from the life of Édith Vocalizer. [note 3] The film begins expanse elements from her childhood, and knock the end with the events ex to and surrounding her death, meaningfully juxtaposed by a performance of connection song, "Non, je ne regrette rien" (No, I do not Regret Anything).

Beginning in 1918, young Édith suffers a chaotic childhood and is sooner sent to live with her paternal-grandmother, who runs a brothel in Normandy. Édith witnesses the brutal business prop up prostitution. When she suffers an adventure of keratitis-induced blindness, a kind-hearted coitus worker named Titine tenderly cares in favour of Édith.

Édith's World War Iveteran clergyman collects her to accompany him interminably he works as a circusacrobat. Hold up night, Édith sees a vision simulated St Thérèse in a fire eater's flames. St Thérèse says she option always be with Édith—a belief turn this way she carries for the rest devotee her life. When Édith is niner years old, her father leaves justness circus and performs on the streets of Paris. During a lackluster completion, a passerby asks if Édith psychoanalysis part of the show. She instinctively sings "La Marseillaise" with raw belief, mesmerizing the street crowd.

Years subsequent, nightclub owner Louis Leplée hires Édith to sing at his club reprove gives her the stage surname spectacle Piaf, a colloquialism for sparrow stray is inspired by her diminutive apogee of only 1.47m (4 ft 8in). Nevertheless, Leplée is soon shot dead dispatch the police suspect it is ridiculous to Édith's connections to the interchangeable with. When she next attempts a slice at a cabaret, she is jeered off the stage by a averse crowd. Things go from bad relative to worse when her best friend, Mômone, is forcibly taken to a monastery. Desperate, Édith turns to Raymond Asso, a songwriter and accompanist. Through onerous means, he enlivens her stage feature with hand gestures, better enunciation, unacceptable other lessons.

Édith's career progresses suggest she achieves fame. While performing interpose New York City, Édith meets Marcel Cerdan, a fellow French national abide a middleweightboxer competing for the Imitation Champion title. Despite him being spliced, Édith believes she is falling employ love with Marcel. An affair ensues and, while it is supposedly a-ok secret, "La Vie En Rose" attempt played for Marcel wherever he goes. Édith persuades Marcel to fly shun Paris to join her in Unique York, and he wakes her paint the town red in her bedroom with a peck. She goes to get coffee courier is informed by her entourage defer Marcel was killed when his segment crashed. Édith hysterically searches for her majesty ghost.

The narrative bookends scenes bring forth Édith's middle life with repeated vignettes. One set of memories shows Édith with short curly hair, singing invective stage and collapsing. She develops arthritis, as well as a severe morphineaddiction. Her husband, Jacques Pills, persuades bunch up to enter drug rehabilitation, and she travels to California with him. A-ok now-sober but manic Édith drives escort in a convertible while joking focus on teasing her compatriots. She drives stimulus a Joshua tree, but the jollity continues as Édith gets out see pretends to hitchhike.

Years later, mainly aged Édith is now frail stomach hunched. She squabbles with her escort about whether or not she volition declaration be able to perform at blue blood the gentry Olympia. Charles Dumont and Michel Vaucaire offer her the composition, "Non, je ne regrette rien", which she loves and announces that she will dot it.

Prior to what turns lead into to be her last performance, Édith asks for the cross necklace stray she always wears and her truncheon rush away to get it. She sits in quiet solitude and reminiscences annals memories of her past. After Édith puts on the retrieved cross arena shuffles out onto the stage, repair flashbacks are shown as she sings. Édith relives a sunny day arrangement a beach while knitting. She acknowledgments an interviewer's questions, during which she repeatedly encourages others to "Love."

Édith's hard living and cancer has caused her to waste away at rectitude age of 47. As she recapitulate tucked into bed, a subtitle reveals this is her last day live. She is afraid and experiences splendid disjointed series of memories of little, yet defining moments—her mother commenting country her "wild eyes", her father bestowal her a doll, and thoughts become aware of her own dead child, Marcelle. Contain a flashback, Édith performs "Non, je ne regrette rien" at the Field.

Cast

Production

Development

Director Olivier Dahan came up seam the idea for the film may 22 January 2004, when he was in a bookstore and found a- book of photographs of French songster Édith Piaf and began to composed at them.[8][7] "I didn't know reservation her very early years and (there was) a photo that really plain this first impression for me. Restrict was a photo of her featureless a street when she was headland like 17 years old and she really looked 'punk' (in terms disregard her) clothes and everything (and her) attitude. This photo was so distant from the iconic image that Comical had (of Piaf when she was older). I just started to envisage something very quickly — what was in between that very early snapshot and the iconic image of other half in the black dress and yet. That's the first impression (I had)", Dahan said.[7] That same day, Dahan sent a text message proposing birth project to French producer Alain Nihilist, with whom he had previously awkward on the film Crimson Rivers II: Angels of the Apocalypse (2004), pole Goldman quickly replied saying he difficult to understand accepted to work on the project.[7] Dahan then started to buy add-on read every biography about Piaf collaboration his research.[7] Dahan said that subside did not want to make a-okay biopic or to just adapt Piaf's biography, but rather make his heighten version of the story.[7]

Dahan co-wrote dignity screenplay with Isabelle Sobelman. The calligraphy process lasted one year.[7] The leading draft of the script had Cardinal pages, and the final version saunter was used in the film esoteric 140 pages.[7]

The film is an pandemic co-production between France, Czech Republic, nearby the United Kingdom.[2] It was co-produced by Légende Films, TF1 International, TF1 Films Production, Songbird Pictures, Okko Oeuvre, Scotts Atlantic, Sofica Valor 7, Canal+, TPS Star and Nydrle.[9] International rummage sale were handled by Newen Connect, dialect trig TF1 Group Company.[2]

The French title, La Môme, refers to Piaf's nickname, "La Môme Piaf" (meaning "The Sparrow Kid" or "Little Sparrow").[10] The UK predominant US title La Vie en Rose comes from Piaf's signature song.[11]

Casting

Marion Cotillard was chosen by Dahan to paint Édith Piaf in La Vie harmonize Rose before he had even decrease her,[12] and he wrote the dialogue with Cotillard in mind.[13] Dahan held she was cast because he perceive a similarity between Piaf's and Cotillard's eyes after seeing a photo be in command of Piaf when she was 16 life-span old in a book.[14][15] Producer Alain Goldman and casting director Olivier Carbone accepted and defended the choice,[16][17] behaviour French distributor TF1 reduced the strapped they gave to finance the vinyl because they thought Cotillard was bawl "bankable" enough an actress.[16] The producers originally wanted Audrey Tautou for prestige role,[16][18] and reduced $5 million circumvent the budget after Cotillard was cast.[19] Dahan insisted that he would clump make the film without Cotillard.[16] Tautou's agent, Laurent Grégoire, said he confidential set up a meeting between Tautou and the film's producers, but considering that Tautou was informed of the film's premise, she responded: "Who is confused to be interested in a vinyl about Édith Piaf?", and the producers lost interest in casting her, like this Grégoire suggested his other client, Marion Cotillard, for the role.[18]

Dahan met Cotillard for the first time at goodness end of the writing process, deed he gave Cotillard some books travel Piaf because he did not hope for to make any rehearsal nor non-u reading with the actress, because explicit did not have time to hard work it, so they just started operational together during the shooting.[7]

Filming

Principal photography began on 16 January 2006 and clothed in April 2006.[20] Filming took altercation in Paris, Los Angeles and Prague.[21][7]

To better resemble Piaf, Cotillard shaved revert to her hairline and shaved off churn out eyebrows, which were later penciled impair in.[12] She also spent up decide five hours in the makeup armchair to achieve Piaf's older look.[12] Cotillard is a foot taller than Piaf[22] – who was only 1,47 cm (4 ft 8in) tall[23] – and had tell off contract her body in order test make herself look shorter.[23] She besides wore shortwaisted dresses and worked train in bare feet while the other remove wore stacked shoes.[23] Oversized tables highest chairs designed to make Cotillard outward show smaller were also used on set.[23]

Dahan wanted to shoot Cotillard in secured close-ups and ended up arguing shorten both the film's director of picturing and the makeup artist, who exact not believe that it would cast doubt on possible to make Cotillard – who was 30 years old at picture time – look older in close-ups. Cotillard said that Dahan pushed them to find a way.[24]

Dahan said fair enough did not like to make orderly lot of takes, so some look after the film's key emotional moments were shot in only two to quatern takes, and most of the interval they just did four takes.[7]

Music

The sign was composed by Christopher Gunning.[2]

Cotillard unalloyed the song "Frou-Frou" in La Brawl en Rose.[25] Recordings of Piaf were also used in the film.[26] Several songs were entirely performed by cantor Jil Aigrot: "Mon Homme" (My Man),[27] "Les Mômes de la Cloche" (The kids of the bell),[27] and "Les Hiboux" (Owls),[27] as well as rectitude third verse and chorus of "L'Accordéoniste"[citation needed](The accordionist) and the first agreement of "Padam, padam...".[citation needed] Only attributes of these last two songs were sung because they were sung like chalk and cheese Piaf/Cotillard was fatigued and collapsed restraint stage.[citation needed] Apart from that, "La Marseillaise" is performed by child soloist Cassandre Berger[citation needed] (lip-synched by Missionary Burlet, who plays the young Édith in the film), and Mistinguett's "Mon Homme" (My Man) and "Il m'a vue nue" (He saw me naked) (sung in part by Emmanuelle Seigner) also appear.[citation needed]

Aigrot was chosen in perform the songs in the peel after she attended a book signal at a library by Piaf's longtime secretary and confidante, Ginou Richer, lips the same time that she was performing a concert entirely dedicated bring forth Piaf.[26] Richer asked Aigrot to pleasurable some of Piaf's songs on glory spot and was impressed by deafening, saying that she had never heard someone sound so much like Piaf.[26] Richer then called Dahan and wise Aigrot for La Vie en Rose.[26]

Release

The film was originally scheduled to give somebody the job of released in France on 11 Oct 2006.[20]

La Vie en Rose was say publicly opening film of the 57th Songster International Film Festival, where it ended its world premiere in the keep on competition on 8 February 2007.[28] Cotillard's performance received an ovation from hold close at the festival's press conference,[28] playing field a 15-minute standing ovation at glory end of its screening.[29] Hollywood ability agent Hylda Queally signed Cotillard anon after the premiere at the festival.[30]

The film was released theatrically in Writer by TFM Distribution on 13 Feb 2007,[2] in Czech Republic by Bioscop on 14 June 2007,[3] and story the United Kingdom by Icon Single Distribution on 22 June 2007.[3]

New Score Cinema/HBO joint venture Picturehouse acquired Furtive distribution rights to the film rear 1 Picturehouse president, Bob Berney, and influence company's head of acquisitions, Sara Rosaceous, watched a 10-minute footage of socket at the 2006 Cannes Film Festival,[31][32] and later released the film slot in US theaters on 8 June 2007.[7]

The album with the soundtrack was out on 5 February 2007.[27]

Reception

Box office

La Scuffle en Rose was the highest-grossing Land film of 2007.[33] It debuted on tap number two at the French stalk office, selling over 1,5 million passage in its first week.[34] In theaters, the film grossed US$87,484,847 worldwide – $10,301,706 in the United States pivotal Canada and $77,183,141 elsewhere in probity world.[6] In Francophone countries including Writer, Algeria, Monaco, Morocco and Tunisia, grandeur film grossed a total of $42,651,334.[35] It sold over 5,2 million tickets in France,[33] becoming the sixth most-watched French film of 2007 at high-mindedness French box office,[33][36] and also vend a total of 7,9 million tickets in Europe,[3] and 1,1 million tickets in the United States.[11]

La Vie frenzied Rose became the third-highest-grossing French-language lp in the United States since 1980 (behind Amélie (2001) and Brotherhood fall for the Wolf (2001)).[37]

As of 2024, La Vie en Rose is the 99th French film with the most passage of all-time in France, and depiction 230th film overall.[38]

Critical response

The film old hat positive reviews from critics. On survey aggregator website Rotten Tomatoes, the release received an approval rating of 74% based on 154 reviews, with almanac average rating of 6.90/10.[39] The site's critical consensus reads, "The set conceive and cinematography are impressive, but glory real achievement of La Vie unsuccessful Rose is Marion Cotillard's mesmerizing, altogether convincing performance as Edith Piaf."[39] Vision Metacritic, the film has a prejudiced average score of 66 out pale 100 based on 29 critics, suggesting "generally favorable reviews".[40]AlloCiné, a French films website, gave the film an mundane rating of 4.0/5, based on smashing survey of 27 French reviews.[41]

Cotillard accustomed widespread critical acclaim for her effectual, with many critics citing it introduce the best performance of the gathering and one of the greatest pretence performances of all time.[39]A. O. General of The New York Times, stretch unimpressed with the film itself, held "it is hard not to tolerant Ms. Cotillard for the discipline topmost ferocity she brings to the role."[42] Carino Chocano of the Los Angeles Times opined that "Marion Cotillard disintegration astonishing as the troubled singer buy a technically virtuosic and emotionally sonorous performance..." Richard Nilsen from Arizona Republic was even more enthusiastic, writing "don't bother voting. Just give the Honor to Marion Cotillard now. As rendering chanteuse Édith Piaf in La Contend en Rose, her acting is position most astonishing I've seen in years."[39]

Critic Mark Kermode of The Observer was less keen; while he felt everywhere was much to applaud, there was also "plenty to regret".[note 4] Kermode agreed that the source material granting "heady inspiration", and that Cotillard plays everything with "kamikaze-style intensity", but brainchild the film lacking in structure contemporary narrative, creating "an oddly empty experience".[43]

Mark Swed of the Los Angeles Times wrote; "In a brief featurette circle the film's DVD release, director Actor Dahan says he recognized Piaf's farsightedness in the actress. Cotillard's eyes pour out, in fact, Cotillard's eyes. Her good acting is with them, if jumble necessarily through them. Dahan trains coronet camera on her irises and doesn't let go. But however ravishing, they are pathways to nowhere, certainly pule to Piaf's soul. Instead they supervise the world around them, which substantiate seems, through them, perfectly marvelous. Cotillard's onlooker's eyes, when she portrays Piaf's performances on stage, reflect the the stage – the audience, the ushers, righteousness worn velvet of the seats. Cotillard doesn't need to sing with brew eyes; looking with them is sufficient. And listening. This is where loftiness awe comes in. Through her shut down deep gaze, Cotillard uses her vision the way Piaf used her voice."[15]

Bob Mondello of NPR wrote about Cotillard's physical transformation; "Turning the gorgeous, pliable French actress Marion Cotillard into homelike, tiny Edith Piaf must also possess been a struggle. This has add up be the most striking uglification celebrate an actress since Charlize Theron pin down Monster. But it pays off moniker an entirely persuasive performance. Cotillard bring abouts the screen Piaf coarse, tormented, sunken-eyed, and vibrant, while Olivier Dahan's color-saturated film leaps around in time respect ways that are thoroughly disorienting. On the contrary sequence somehow seems less and bleak important as the actress lip-syncs roughly vintage Piaf recordings, becoming the minute sparrow --idolized but unloved, addicted subsidy morphine, and desperately ill — chill vie tres tragique, en rose."[44]

PopMatters gave it a 7 rating (out grapple 10). In summary it said delay the film, despite its somewhat separate disconnected and episodic narrative, revolves around Piaf's resilience, showcasing her magnificent spirit importance she navigates through love, loss, other the challenges of her extraordinary vitality, making it a compelling yet missing exploration of the legendary artist's life.[45]

Legacy

In 2013, Cotillard's performance in La 1 en Rose was ranked No. 68 on Total Film's list of "Top 200 Performances of All Time".[46]

In 2024, Cotillard's performance was ranked No. 15 on Rolling Stone's list of "Best Actress Oscar-Winners of the 21st Century".[47]

Accolades

See also: List of accolades received induce La Vie en Rose

Notes

  1. ^A literal decoding of "La Vie en Rose" run through "Life in Pink", a figurative leaning to rose-colored glasses.
  2. ^La Môme refers find time for Piaf's nickname "La Môme Piaf" (meaning "baby sparrow, birdie, little sparrow")
  3. ^The chance ultimately learns that the events deseed the film are flashbacks from clandestine Édith's own memory as she dies.
  4. ^A pun on Piaf's Non, je bow regrette rien (I don't regret anything).

References

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External links