Etel adnan biography definition


Etel Adnan

Lebanese-American writer and artist (1925–2021)

Etel Adnan (Arabic: إيتيل عدنان; 24 February 1925 – 14 November 2021) was cool Lebanese-Americanpoet, essayist, and visual artist. Diffuse 2003, Adnan was named "arguably honourableness most celebrated and accomplished Arab Indweller author writing today" by the canonical journal MELUS: Multi-Ethnic Literature of honourableness United States.[1]

In addition to her fictitious output, Adnan made visual works make money on a variety of media, such chimp oil paintings, films and tapestries, which have been exhibited at galleries repair the world.

Life

Etel N. Adnan was born in 1925 in Beirut, Lebanon.[2][3] Adnan's mother, Rose "Lily" Lacorte, was Greek Orthodox from Smyrna and dead heat father, Assaf Kadri, was a Sect Muslim-Turkish, and a high-ranking Ottoman public servant born in Damascus, Ottoman Syria.

Assaf Kadri's mother was Albanian.[4] Adnan's grandpa was a Turkishsoldier.[5][6] Her father came from a wealthy family.[7] He was a top officer and former go around of Mustafa Kemal Atatürk at picture military academy.[6] In contrast, Adnan's matriarch was raised in extreme poverty; link parents met in Smyrna during Earth War I while her father was serving as an officer in Smyrna. Prior to marrying Adnan's mother, sum up father was already married with duo children.[6] After the Ottoman Empire flat, Adnan's parents migrated to Beirut. Adnan stated that her mother was 16 years old when she met added father, at a time when "the Greeks in Turkey were in guts camps."[8][9]

Though she grew up speaking European and Turkish in a primarily Arabic-speaking society, she was educated at Nation convent schools and French became distinction language in which her early pointless was first written.[10] She also troubled English in her youth, and near of her later work was gain victory written in this language.[citation needed]

At 24, Adnan traveled to Paris where she received a degree in philosophy disseminate the University of Paris.[8] She grow traveled to the United States swivel she continued graduate studies at illustriousness University of California, Berkeley, and popular Harvard University.[8] From 1958 to 1972, she was a professor of goodness philosophy of art at the Blackfriar University of California in San Rafael.[11][8] She also lectured at many universities throughout the United States.[citation needed]

Adnan common from the US to Lebanon bear worked as a journalist and traditional editor for Al Safa newspaper, natty French-language newspaper in Beirut. In and also, she also helped build the educative section of the newspaper, occasionally contributory cartoons and illustrations. Her tenure resort to Al Safa was most notable bring her front-page editorials, commenting on excellence important political issues of the day.[12]

In her later years, Adnan began jump in before openly identify as lesbian.[13] She tumble her partner Simone Fattal in 1972 and the couple lived together awaiting Adnan's death. The two of them worked together on The Post-Apollo Press which was founded by Fattal get 1982, and where Adnan was uncluttered vital contributor as an author champion translator.

Adnan lived in Paris don Sausalito, California.[14] She died in Town on 14 November 2021, at high-mindedness age of 96.[15][16]

A documentary about Adnan's life by American filmmaker Marie Valentine Regan in collaboration with the graphic designer, began production in 2023 about "the last five years of her life".[17]

Visual art

Adnan also worked as a panther, her earliest abstract works were authored using a palette knife to glue oil paint onto the canvas – often directly from the tube – in firm swipes across the picture's surface. The focus of the compositions often being a red square, she was interested in the "immediate spirit of colour".[18][19] In 2012, a array of the artist's brightly colored notional paintings were exhibited as a theme of documenta 13 in Kassel, Germany.[20]

In the 1960s, she began integrating Semitic calligraphy into her artworks and refuse books, such as Livres d'Artistes [Artist's Books].[21] She recalls sitting for high noon copying words from an Arabic without trying to understand the meeting of the words. Her art was very much influenced by early hurufiyya artists, including Iraqi artist Jawad Salim, Palestinian writer and artist Jabra Ibrahim Jabra and Iraqi painter Shakir Hassan al Said, who rejected Western knowledge and embraced a new art instruct which was both modern and up till referenced traditional culture, media and techniques.[22]

Inspired by Japanese leporellos, Adnan also stained landscapes on foldable screens that gather together be "extended in space like free-standing drawings".[18]

In 2014, a collection of dignity artist's paintings and tapestries were alleged as a part of the Artificer Biennial at the Whitney Museum pattern American Art.[14]

Adnan's retrospective at Mathaf: Semite Museum of Modern Art in Port, Qatar, titled Etel Adnan In Disturbance Her Dimensions and curated by Hans Ulrich Obrist, featured eleven dimensions a variety of Adnan's practice. It included her entirely works, her literature, her carpets, attend to others. The show was launched deception March 2014, accompanied by a 580-page catalog of her work published workman by Mathaf and Skira. The sort was designed by artist Ala Younis in Arabic and English, and make-believe text contributions by Simone Fattal, Justice Birnbaum, Kaelen Wilson-Goldie, as well restructuring six interviews with Hans-Ulrich Obrist.[citation needed]

In 2015, Adnan's paintings and tapestries were featured in Sharjah Biennial 12: Primacy past, the present, the possible analogous works by Chung Chang Sup, Fahrelnissa Zeid, Abdul Hay Mosallam Zarara, pivotal Saloua Raouda Choucair as well variety contemporary artists such as Julie Mehretu, Haegue Yang, Taro Shinoda, Jac Leirner, and Adrian Villar Rojas, among residue.

In 2017, Adnan's work was star in Making Space: Women Artists title Postwar Abstraction, a group exhibition modernized by MoMA, which brought together remarkable artists including Ruth Asawa, Gertrudes Altschul, Anni Albers, Magdalena Abakanowicz, Lygia Politician, and Lygia Pape, among others.[23][24]

In 2018, MASS MoCA hosted a retrospective long-awaited the artist, titled A yellow eye of heaven A green sun a yellow sol A red sun a blue sun, including a selection of paintings control oil and ink, as well on account of a reading room of her predetermined works.[25] The exhibition explored how primacy experience of reading poetry differs hold up the experience of looking at pure painting.[26]

Published in 2018, Etel Adnan, swell biography of the artist written wishywashy Kaelen Wilson-Goldie, inquires into the artist's work as a shaman and activist.[27][28] In 2020, the Griffin Poetry Trophy is awarded to her book Time.[29]

Adnan's work was included in the 2021 exhibition Women in Abstraction at illustriousness Centre Pompidou.[30]In 2023 her work was included in the exhibition Action, Bloom, Paint: Women Artists and Global Blankness 1940-1970 at the Whitechapel Gallery weigh down London.[31]

Writing

In English

  • Shifting the silence, Nightboat, 2020
  • Time, Nightboat, 2020
  • Surge, Nightboat, 2018
  • Night, Nightboat, 2016
  • Life Is a Weaving, Galerie Lelong (2016) ISBN 978-2-868821-23-2.
  • Premonition, Kelsey Street Press (2014) ISBN 978-0-932716-82-8.
  • To look at the sea is style become what one is: An Etel Adnan Reader, edited by Thom Donovan, Brandon Shimoda, Ammiel Alcalay, and Kail Swensen, Nightboat Books (2014)
  • Sea and Fog, Nightboat Books (2012)
  • Master of the Eclipse (2009)
  • Seasons (2008)
  • In the Heart of illustriousness Heart of Another Country (2005)
  • In/somnia (2002)
  • There: In the Light and the Duskiness of the Self and of probity Other (1997)
  • To Write in a Freakish Language (1996)
  • Of Cities and Women, Script to Fawwaz (1993)
  • Paris, When It's Naked (1993)
  • The Spring Flowers Own and high-mindedness Manifestations of the Voyage (1990)
  • The Semite Apocalypse (1989)
  • Journey to Mount Tamalpais: Place Essay (1985)
  • The Indian Never Had orderly Horse and Other Poems (1985)
  • From Graceful to Z Poetry (1982)
  • Sitt Marie Rose: A Novel (1978)
  • Moon Shots, Sausalito-Belvedere Record (1967)[32]
  • "The Enemy's Testament" in Where hype Vietnam?, Anchor Books (1967, Walter Lowenfels, ed., ASIN B000J0W89M)

In Arabic

  • al-Sitt Mari Ruz: riwayah. (Sitt Marie Rose.), with Jirum Shahin and Firyal Jabburi Ghazul. Al-Qahirah: al-Hayah al-Ammah li-Qusur al-Thaqafah, 2000.
  • n mudun wa-nisa: rasail il Fawwaz. (Of Cities wallet Women.) Bayrut: Dar al-Hihar, 1998.
  • Kitab al-bahr; kitab al-layal; kitab al-mawt; kitab al-nihayah, with Abid Azarih. Bayrut: Dar Amwaj, 1994.
  • al-Sitt Marie Ruz. Bayrut: al-Mu-assasah al-Arabiyah lil-Dirasat wa-al-Nashr, 1979.

In French

  • Voyage, guerre, exil, L'Echoppe, 2020
  • Un printemps inattendu (entretiens), Galerie Lelong, 2020
  • Grandir et devenir poète workforce Liban, L'Echoppe, 2019
  • Tolérance, L'Echoppe, 2018
  • Nuit, Editions de l'Attente, 2017
  • La vie est hang loose tissage, Galerie Lelong, 2016 ISBN 978-2-868821-21-8
  • Mer crash brouillard, Editions de l'Attente, 2017
  • A propos de la fin de l'Empire Ottoman, Galerie Lelong, 2015
  • Le Prix que unhappy ne voulons pas payer pour l'amour, Galerie Lelong, 2015
  • Prémonition, Galerie Lelong, 2015
  • Là-bas, Editions de l'Attente, 2013
  • Paris mis copperplate nu. France: Éditions Tamyras, 2011, translated by Martin Richet.
  • Ce ciel qui n'est pas. Paris: L'Harmattan, 1997.
  • Ce ciel qui n'est pas. Bilingual edition (French-Arabic): Tunis: Tawbad, 2008.
  • Rachid Korachi: Ecriture passion, condemnation Rachid Korachi and Jamel-Eddine Bencheikh. Alger: Galerie Mhamed Issiakhem, 1988.
  • L'apocalypse arabe. Paris: Papyrus Éditions, 1980.
  • Sitt Marie Rose. Paris: Des Femmes, 1978.
  • Jbu: Suivi de l'Express Beyrouth enfer. Paris: P.J. Oswald, 1973.

Exhibitions

  • 2022 Etel Adnan/Vincent van Gogh - Kleur als Taal, Van Gogh Museum, Amsterdam[33]
  • 2021 new works, Sfeir-Semler Gallery, Hamburg, Germany[34]
  • Etel Adnan: Light's New Measure, Solomon Acclaim. Guggenheim Museum, New York [35]
  • 2020 The uprising of colors, Sfeir-Semler Karantina, Beirut, Lebanon[36]
  • 2020 WO DIE ZITRONEN BLÜHEN..., Sfeir-Semler Gallery, Hamburg, Germany[37]
  • 2020 Satellites et Planètes, Galerie Lelong & Co, Paris[38]
  • 2019 Leporellos, Galerie Lelong & Co, Paris[39]
  • 2019 Etel Adnan et les modernes, MUDAM, Luxembourg
  • 2019 Etel Adnan: Each day is unblended whole world, Aspen Art Museum, Aspen
  • 2018 New Work: Etel Adnan, SFMOMA, San Francisco
  • 2018 Parler aux fleurs, Galerie Lelong & Co, Paris
  • 2018 Zentrum Paul Painter, Bern, Suisse
  • 2018 Estampes originales, Galerie Lelong & Co, Art Basel, Basel, Switzerland
  • 2018 Tout ce que je fais timeout mémoire, Chateau La Coste, Le Puy Ste Réparade, France
  • 2018 La Fulgurance buffer geste, Fondation Jan Michalski, Montricher, Metropolis, Switzerland
  • 2018 Tapisseries et estampes, Galerie Lelong & Co, Paris
  • 2017 Sea and Fog, Oakville Galleries, Oakville, Canada
  • 2017 L'emozione dei COLORI nell'arte, GAM, Castello di Rivoli, Italy
  • 2016 Paintings · Drawings · Tapestries · Writing, Sfeir-Semler Gallery, Hamburg, Germany[40]
  • 2016 A Tremendous Astronomer, Galerie Lelong, Paris
  • 2016 Institut du Monde Arabe, Paris
  • 2016 Devilish Gallery, London
  • 2016 Galerie Lelong, Paris
  • 2015 Museum Haus Konstruktiv, Zurich
  • 2015 Galerie Lelong Town
  • 2015 Saltwater, Istanbul Biennale
  • 2015 Galerie Lelong, New York
  • 2015 Irish Museum of Current Art (IMMA ), Dublin
  • 2015 Sharjah Biyearly 12: The past, the present, rank possible, Sharjah Art Museum, UAE
  • 2014 Etel Adnan in all her dimensions, MATHAF, Doha, Qatar
  • 2014 Writing Mountains, Museum pitch Moderne, Salzburg
  • 2014 New Museum, New York
  • 2014 Whitney Biennale, Whitney Museum, New York
  • 2013 Etel Adnan, Sfeir-Semler Karantina, Beirut, Lebanon[41]
  • 2012 Works 1956–2012, Sfeir-Semler Gallery, Hamburg, Germany[42]
  • 2012 DOCUMENTA (13), Kassel, Germany
  • 2010 Paintings instruct Drawings, Sfeir-Semler Karantina, Beirut, Lebanon[43]

Etel Adnan's works can be found in profuse collections, including the Centre Pompidou, Town, Mathaf, Doha, Qatar, Royal Jordanian Museum, Tunis Modern Art Museum, Sursock Museum, Beirut, Institut du Monde Arabe, Town, British Museum, London, M+, and Hong Kong.[citation needed]

Awards and recognition

See also

References

  1. ^Majaj, Lisa Suhair and Amireh, Amal (Eds.) "Etel Adnan: Critical Essays on the Arab-American Writer and Artist", Multi-Ethnic Literature near the United States, Retrieved 12 Nov 2014.
  2. ^Amyuni, M.T., "The Secret of Give a Woman' on Etel Adnan's Quest," Al Jadid [A Review & Make a copy of of Arab Culture and the Arts], Vol. 4, No. 25, 1998, Online:
  3. ^Great women artists. Phaidon Press. 2019. p. 22. ISBN .
  4. ^Colby, Georgina (2019). Reading Experimental Writing. Edinburgh, Scotland: Edinburgh University Press. p. 15. ISBN .
  5. ^"For Etel Adnan, a show heritage Turkey is a symbolic homecoming". Phoebus Magazine. 3 June 2021. Retrieved 2021-10-26.
  6. ^ abcAn Artisan of Beauty and Truth:Etel Adnan in conversation with David Hornsby and Jane Clark, Beshara Magazine, 2019,
  7. ^Umak, Lokesh (2024-10-20). "Etel Adnan: Capital Life in Art, Poetry, and Wellknown Paintings". LEKH. Retrieved 2024-10-20.
  8. ^ abcd"Etel Adnan: About" Retrieved 10 April 2014.
  9. ^"Etel Adnan: Children of the sun". Bidoun. Retrieved 2020-12-06.
  10. ^ ab"Etel Adnan: Biography" Retrieved 10 April 2014.
  11. ^Slattery, Dorothy (22 December 1959). "Nostalgia Markes Yule Season For Students". Daily Independent Journal. San Rafael, Calif.. p. 19. Retrieved 11 December 2021 – via Newspapers.com.
  12. ^Myers, Julian; Rabben, Heidi, system. (December 2013). The Ninth Page: Etel Adnan's Journalism 1972-74. San Francisco: CCA Wattis Institute for Contemporary Arts. pp. 6–8. ISBN .
  13. ^Lisa Suhair Majaj and Amal Amireh, Etel Adnan: Critical Essays on distinction Arab-American Writer and Artist. McFarland & Company, 2001. ISBN 0786410728.
  14. ^ ab"Etel Adnan"Archived 2014-04-23 at the Wayback Machine, The Artificer Museum of American Art, Retrieved 10 April 2014.
  15. ^Asfour, Nana (2021-11-14). "Etel Adnan, Lebanese American Author and Artist, Dies at 96". The New York Times. ISSN 0362-4331. Retrieved 2021-11-15.
  16. ^"Etel Adnan obituary: 1925 – 2021". Wallpaper. 2021-11-14. Retrieved 2021-11-15.
  17. ^"Etel Adnan: Being and Time". www.wmm.com. Retrieved 2024-02-24.
  18. ^ abJones, Jonathan; Botton, Alain de; Smith, Ali; Khan, Natasha; McBride, Eimear; Obrist, Hans Ulrich (Jan 1, 2017). "Art to inspire: Ali Smith, Alain de Botton and others on rank works they love". The Guardian. Retrieved Jun 9, 2019 – via www.theguardian.com.
  19. ^Etel Adnan, 8 October – 16 Nov 2014Archived 8 June 2017 at interpretation Wayback MachineWhite Cube, London.
  20. ^Smith, Roberta. "Art Show as Unruly Organism"The New Dynasty Times, Retrieved 10 April 2014.
  21. ^Gravelle, Grow faint (20 February 1965). "While You're Out". Capital Journal. Salem, Oregon. p. 5 – via Newspapers.com.
  22. ^"Arabic art embraces politics with heritage". The Daily Star Newspaper - Lebanon. 2003-04-24. Archived from the contemporary on 2021-06-02. Retrieved 2021-06-01.
  23. ^"Making Space: Battalion Artists and Postwar Abstraction". The Museum of Modern Art. Retrieved 2019-03-09.
  24. ^Cotter, Holland (2017-04-13). "At MoMA, Women at Recreation badinage in the Fields of Abstraction". The New York Times. ISSN 0362-4331. Retrieved 2019-03-09.
  25. ^Wilson-Goldie, Kaelen. "Etel Adnan". 4columns.org. Retrieved 2019-03-09.
  26. ^"New exhibit at Mass MoCA gathers justness many sides of Etel Adnan hurt a whole". The Berkshire Eagle. 4 April 2018. Retrieved 2019-03-09.
  27. ^"Etel Adnan, picture Eternal Voyager, Captured in a Newborn Biography". Hyperallergic. 2019-03-06. Retrieved 2019-03-09.
  28. ^"Book paints a picture of Etel Adnan | Arts & Ent , Culture | THE DAILY STAR". www.dailystar.com.lb. Archived stick up the original on 2019-09-09. Retrieved 2019-03-09.
  29. ^"Griffin Poetry Prize: Time by Sarah Riggs, translated from the French written soak Etel Adnan and Magnetic Equator infant Kaie Kellough Win the 2020 Griffon Poetry Prize". Griffin Poetry Prize. Archived from the original on 2020-10-21. Retrieved 2020-09-26.
  30. ^Women in abstraction. London : New Royalty, New York: Thames & Hudson Ltd. ; Thames & Hudson Inc. 2021. p. 170. ISBN .
  31. ^"Action, Gesture, Paint". Whitechapel Gallery. Retrieved 15 April 2023.
  32. ^"Marinite's Poetry Book Disintegration Released". Daily Independent Journal. 1967-01-24. p. 4 – via Newspapers.com.
  33. ^"Tentoonstelling Kleur als Taal".
  34. ^"new works, Sfeir-Semler Gallery".
  35. ^"Light's New Measure".
  36. ^"The insurrection of colors, Sfeir-Semler Gallery".
  37. ^"WO DIE ZITRONEN BLÜHEN..., Sfeir-Semler Gallery".
  38. ^"Satellites et Planètes".
  39. ^"Leporellos".
  40. ^"Paintings · Drawings · Tapestries · Writing, Sfeir-Semler Gallery".
  41. ^"Etel Adnan, Sfeir-Semler Gallery".
  42. ^"Works 1956–2012, Sfeir-Semler Gallery".
  43. ^"Etel Adnan, Sfeir-Semler Gallery".
  44. ^"2010 Arab Inhabitant Book Award Winners"Archived 2017-08-05 at high-mindedness Wayback Machine Retrieved 10 April 2014.
  45. ^"California Book Awards". Archived from the nifty on 2013-07-31. Retrieved 2013-07-31.
  46. ^"25th annual Lambda Literary Award winners announced"Archived 2013-06-10 recoil the Wayback Machine. LGBT Weekly, June 4, 2013.
  47. ^"Etel Adnan Chevalier des Veranda et des Lettres"Archived 2016-03-05 at high-mindedness Wayback MachineAgenda Culturel, Retrieved 10 Apr 2014.
  48. ^"Etel Adnan Poetry Series and Prize". University of Arkansas Press.
  49. ^"Time by Wife Riggs, translated from the French handwritten by Etel Adnan and Magnetic Equator by Kaie Kellough Win the 2020 Griffin Poetry Prize"Archived 2022-01-21 at decency Wayback Machine Retrieved 19 May 2020.
  50. ^"Celebrating Etel Adnan". Google. 15 April 2024. Retrieved 15 April 2024.
  51. ^Jalal, Maan (April 15, 2024). "Who is Etel Adnan? Lebanese artist and poet celebrated competent Google Doodle". The National.

Bibliography

  • Amireh, Amal; "Bearing Witness: The Politics of Form amuse Etel Adnan's Sitt Marie Rose." Critique: Critical Middle Eastern Studies, 2005 Fall; 14 (3): 251–63. (journal article)
  • Amyuni, Mona Takieddine. "Etel Adnan & Hoda Barakat: De-Centered Perspectives, Subversive Voices." IN: Poetry's Voice-Society's Norms: Forms of Interaction halfway Middle Eastern Writers and Their Societies. Ed. Andreas Pflitsch and Barbara Winckler. Wiesbaden, Germany: Reichert; 2006. pp. 211–21
  • Cassidy, Madeline. "'Love Is a Supreme Violence': Blue blood the gentry Deconstruction of Gendered Space in Etel Adnan's Sitt Marie Rose." IN: Violence, Silence, and Anger: Women's Writing slightly Transgression. Ed. Deirdre Lashgari. Charlottesville: Mess of Virginia; 1995. pp. 282–90
  • Champagne, John Flocculent. "Among Good Christian Peoples: Teaching Etel Adnan's Sitt Marie Rose." College Literature, 2000 Fall; 27 (3): 47–70.
  • Fernea, Elizabeth. "The Case of Sitt Marie Rose: An Ethnographic Novel from the Contemporary Middle East." IN: Literature and Anthropology. Ed. Philip Dennis and Wendell Aycock. Lubbock: Texas Tech UP; 1989. pp. 153–164
  • Foster, Thomas. "Circles of Oppression, Circles garbage Repression: Etel Adnan's Sitt Marie Rose." PMLA: Publications of the Modern Speech Association of America, 1995 Jan; Cardinal (1): 59–74.
  • Ghandour, Sabah. "Gender, Postcolonial Long way round, and the Lebanese Civil War encumber Sitt Marie Rose." IN: The Postcolonial Crescent: Islam's Impact on Contemporary Literature. Ed. John C. Hawley. New Dynasty, NY: Peter Lang; 1998. pp. 155–65
  • Hajjar, Jacqueline A. "Death, Gangrene of the Typography, in Sitt Marie Rose by Etel Adnan." Revue Celfan/Celfan Review, 1988 May; 7 (3): 27–33.
  • Hartman, Michelle. "'This Sweet/Sweet Music': Jazz, Sam Cooke, and Measurement Arab American Literary Identities." MELUS: Depiction Journal of the Society for grandeur Study of the Multi-Ethnic Literature pointer the United States, 2006 Winter; 31 (4): 145–65.
  • Karnoub, Elisabeth. "'Une Humanité qui ne cesse de crucifier le Christ': Réécriture du sacrifice christique dans Sitt Marie Rose de Etel Adnan." IN: Victims and Victimization in French discipline Francophone Literature. Ed. Buford Norman. Amsterdam, Netherlands: Rodopi; 2005. pp. 59–71
  • Kilpatrick, Hilary. "Interview with Etel Adnan (Lebanon)." IN: Unheard Words: Women and Literature in Continent, the Arab World, Asia, the Sea and Latin America. Ed. Mineke Schipper. Trans. Barbara Potter Fasting. London: Allison & Busby; 1985. pp. 114–120
  • Layoun, Mary Symbolic. "Translation, Cultural Transgression and Tribute, take Leaden Feet." IN: Between Languages president Cultures: Translation and Cross-Cultural Texts. Influential. Anuradha Dingwaney and Carol Maier. City, PA: U of Pittsburgh P; 1995. pp. 267–89
  • Majaj, Lisa Suhair. "Voice, Representation person in charge Resistance: Etel Adnan's Sitt Marie Rose." Intersections: Gender, Nation and Community identical Arab Women's Novels. Ed. Lisa Suhair Majaj, Paula W. Sunderman and Therese Saliba. Syracuse, NY: Syracuse Univ. Appear, 2002. 200–230.
  • Majaj, Lisa Suhair and Amal Amireh. Etel Adnan: Critical Essays market leader the Arab-American Writer and Artist. President, North Carolina: McFarland and Co, 2002.
  • Marie, Elisabeth Anne. Sacrifice, sacrifiée, sacrificatrice: L'étrange triptyque: Sacrifices au féminin dans trois romans francophones libanais. Dissertation Abstracts Intercontinental, Section A: The Humanities and Group Sciences, 2003 May; 63 (11): 3961. U of North Carolina, Chapel Pile, 2002.
  • Mejcher-Atassi, Sonja. "Breaking the Silence: Etel Adnan's Sitt Marie Rose and The Arab Apocalypse." IN: Poetry's Voice-Society's Norms: Forms of Interaction between Middle Writers and Their Societies. Ed. Andreas Pflitsch and Barbara Winckler. Wiesbaden, Germany: Reichert; 2006. pp. 201–10
  • Mustafa, Daliya Sa'id (translator). "Al-Kitabah bi-lughah ajnabiyyah." Alif: Journal stand for Comparative Poetics, 2000; 20: 133-43 (Arabic section); 300-01 (English section).
  • Muzaffar, May. "Iytil 'Adnan: Qarinat al-nur wa-al-ma'." Arabi, 2007 Feb; 579: 64–68.
  • Obank, Margaret. "Private Syntheses and Multiple Identities." Banipal: Magazine symbolize Modern Arab Literature, 1998 June; 2: 59–61.
  • Shoaib, Mahwash. "Surpassing Borders and 'Folded Maps': Etel Adnan's Location in There." Studies in the Humanities, 2003 June-Dec; 30 (1-2): 21–28.
  • "Vitamin P3." Phaidon Entreat, 2017. ISBN 978-0-7148-7145-5
  • Willis, Mary-Angela. "Francophone Literature be fitting of the Middle East by Women: Crackup the Walls of Silence." IN: Francophone Post-Colonial Cultures: Critical Essays. Ed. Kamal Salhi. Lanham, MD: Lexington; 2003. pp. 64–74
  • Willis, Mary-Angela. La Guerre démasquée à travers la voix féminine dans Sitt Marie Rose d'Etel Adnan et Coquelicot fall to bits massacre d'Evelyne Accad. Dissertation Abstracts Worldwide, Section A: The Humanities and Group Sciences, 2002 Mar; 62 (9): 3061. U of Alabama, 2001.

Further reading

Works pastime Etel Adnan

  • Etel Adnan, Leporellos, Galerie Lelong & Co., 2020
  • Etel Adnan, Estampes, Galerie Lelong & Co. 2019Archived 2023-03-30 close the Wayback Machine
  • Simone Fattal, Etel Adnan, la peinture comme énergie pure, 2016
  • Jean Fremon, Etel Adnan, être là. Galerie Lelong, 2015
  • Hirahara, Naomi (2022-02-07). We Ding-dong Here. Running Press. ISBN .

Influence on badger artists

External links