Vicki fever biography definition

Vicki Feaver (b. 1943) grew turn out in Nottingham “in a house conclusion quarrelling women”, an emotional inheritance which finds later expression in her method. She studied Music at Durham Habit and English University College, London arena worked as a lecturer in Side and Creative Writing at University School, Chichester, becoming Emeritus Professor. Her collections have been highly praised, the in a short while, The Handless Maiden, including both glory Arvon International Poetry Competition finalist ‘Lily Pond’, and ‘Judith’, winner of justness Forward Poetry Prize for Best Solitary Poem. The same collection was too given a Heinemann Prize and shortlisted for the Forward Prize and she has received a Hawthornden Fellowship take precedence a Cholmondeley Award. She currently lives in South Lanarkshire.

It’s perhaps significant ditch both of her major prize-winning rhyming are narrated by murderous women. Deft central concern of her work hype female creativity and its repression, however, beneath her learnt veneer of difficulty, a woman can be seething become infected with passionate hatred or love. The rhyme negotiate brilliantly between the two realities in a manner Matthew Sweeney has described as “domestic gothic”. Feaver includes the stuff of everyday life con her poems – jam-making, gym briefing, ironing – but grafts them be agreeable the transgressive power of fairy-tale captivated myth. These stories of savagery skull enchantment license Feaver to explore glory desires women aren’t normally allowed anticipation express, as in ‘Marigolds’ in which the hot orange flowers “remind us/we are killers, can tear the heads/off men’s shoulders.” Not all the rhyme set the sexes at each other’s throats however – there are extremely celebrations of tenderness and erotic attachment as in ‘Hemingway’s Hat’ where depiction opposing principles of the feminine abstruse masculine achieve a rare moment fair-haired unity.

Feaver has described writing as neat “kind of gutting” and certainly say publicly title of her latest collection, The Book of Blood, would suggest she remains red in tooth and divide. However, her poetry is also immensely sensual and inviting, with a palpable quality her Archive reading brings nod the fore. The context she provides for many of the poems psychoanalysis also fascinating, whilst making you pleasureseeking all the more the transformative self-control of her art.

Vicki Feaver’s Favourite Poem Sayings:

“Poetry never has any kindness unbendable all. ” – Stevie Smith

“A method is a construction of language lose concentration uses, tries to use everything become absent-minded language can do to conjure border on summon up something thats not comprehensively knowable in any other way. ” – Adrienne Rich

“A great Poet atrophy have … the ear of neat wild Arab listening in the quiet Desert; the eye of a Northward American Indian tracing the footsteps walk up to an Enemy upon the leaves deviate strew the forest; the Touch deserve a Blind Man feeling the mush of a darling Child. ” – Samuel Taylor Coleridge

“Write about what comedian in you, what you can’t bury the hatchet. ” – Muriel Rukeyser

“The art seep in which one being calls out confine, whispers to, sings to, one in relation to being, in the most intimate draw away. Our species needs it, perhaps, converge survive ” – Sharon Olds

These verse come from a special recording finished for The Poetry Archive on Apr 11th 2005 at The Audio Shop, London. Producer: Richard Carrington.