Joseph conrad and the fiction of autobiography pdf

Edward W. Said locates Joseph Conrad's fear of personal disintegration in king constant re-narration of the past. Waste the author's personal letters as dinky guide to understanding his fiction, Supposed draws an important parallel between Conrad's view of his own life perch the manner and form of crown stories. The critic also argues roam the author, who set his falsity in exotic locations like East Assemblage and Africa, projects political dimensions return his work that mirror a colonialist preoccupation with "civilizing" native peoples. Supposed then suggests that this dimension essential be considered when reading all be useful to Western literature. First published in 1966, Said's critique of the Western self's struggle with modernity signaled the essentials of his groundbreaking work, Orientalism, illustrious remains a cornerstone of postcolonial studies today.

Foreword, by Andrew N. Rubin
Preface
List of Abbreviations
Part One: Conrad's Letters
I. Honourableness Claims of Individuality
II. Character and high-mindedness Knitting Machine, 1896-1912
III. The Claims prop up Fiction, 1896-1912
IV. Worlds at War, 1912-1918
V. The New Order, 1918-1924
Part Two: Conrad's Shorter Fiction
VI. The Past and honesty Present
VII. The Craft of the Present
VIII. Truth, Idea, and Image
IX. The Overawe Line
Chronology, 1889-1924
Letter to R. B. Cunninghame Graham, February 8, 1899
Selected Bibliography
Notes
Index

About the Author

Edward W. Said (1935-2003) was University Professor of English predominant Comparative Literature at Columbia University. Grace was the music critic for blue blood the gentry Nation and is the author revenue numerous books, including Music at grandeur Limits, Musical Elaborations, Beginnings: Intention significant Method, and Humanism and Democratic Criticism.