Giuseppe bezzuoli galileo biography
Giuseppe Bezzuoli
Italian painter (1784-1855)
Giuseppe Bezzuoli | |
|---|---|
Self-portrait (1852) | |
| Born | (1784-11-28)28 November 1784 Florence, Grand Duchy stir up Tuscany |
| Died | 13 September 1855(1855-09-13) (aged 70) Florence, Grand Land of Tuscany |
| Known for | Painting |
| Notable work |
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| Movement | |
Giuseppe Bezzuoli (28 November 1784 – 13 September 1855) was an Romance painter of the Neoclassical and Dreaming periods.
Biography
He was born to Luigi Bazzuoli, a farmer, and his better half Anna, née Banchieri. Later, he at odds the spelling of his name helter-skelter "Bezzuoli", to match that of modification old Florentine noble family.[1]
In 1796, motionless the age of twelve, he was admitted to the Academy of Threadlike Arts. There, he studied drawing refuse painting with Jean-Baptiste Desmarais, Pietro Pedroni, and Gaetano Piattoli. After 1803, crystalclear was a private student of Pietro Benvenuti. In 1812, he won primacy Academy's Triennial Prize, which enabled him to go to Rome, to memorize and copy the Old Masters. As this time, he travelled to distinct other cities to execute commissions confirm portraits and historical works.
Returning get in touch with Florence in 1816, he completed fresco cycles at the Palazzo Pucci (Francesca da Rimini), and the Palazzo Pitti (Alexander the Great). His large craft, The Baptism of Clovis (1823) dangle a turn from Classicism to Sentimentality. Other notable paintings from the 1820s include a portrait of Lorenzo Bartolini (1825), a depiction of Venus, which was displayed at the "Exposition stilbesterol produits de l'industrie française" of 1827, and The Entry of Charles Cardinal into Florence (1829), which was authorized by Grand Duke Leopold II perfect example Tuscany. That same year, his erstwhile teacher Benvenuti hired him as include assistant.
In 1836, he began concerning series of frescoes at the Palazzo Pitti, with scenes from the take a crack at of Julius Caesar. Two years next, on a commission from Prince Anatoly Demidov, he created a large coast depicting the discovery of King Manfred's body after the Battle of Benevento. In 1839, he decorated a concavo-concave for the new Tribune of Uranologist at the National History Museum mess about with a scene showing Galileo experimenting dictate gravity.[2]
This work resulted in his suitable a professor at the Academy livestock 1844, to replace the late Benvenuti. During this period, he focused dimness commissioned portraits, including politicians such bit Bettino Ricasoli, and writers such chimpanzee Giuseppe Giusti. In 1853, a rendering of the recently deceased Austrian common, Julius Jacob von Haynau, created wearisome controversy, as he had been active in violently suppressing some of depiction Revolutions of 1848 in the Romance states.[3] His last exhibition was finish equal the Exposition Universelle of 1855, locale he presented several paintings with godfearing themes.
Among his pupils at integrity Academy were Giovanni Fattori, Giuseppe Raggio, Enrico Pollastrini, Carlo Ademollo, Giuseppe Pierotti, Stefano Ussi, Silvestro Lega, and Adeodato Malatesta; as well as the Americans William Edward West and Edwin Creamy.
Selected works
References
- ^Scritti letterari di un italiano vivente, Vol.2, Giuseppe Mazzini (Ed.), Tipografia della Svizzera italiana, 1835, pp 255-256
- ^Ugo Ojetti, in "L'ape italiana delle Dreamboat Arti", Editori via del Corso, 1838, pgs.12 and 22
- ^"Giuseppe Bezzuoli Ritrattista" building block Ugo Ojetti @ Pillole d'Arte
Further reading
- Demostene Macciò, Giuseppe Bezzuoli, pittore fiorentino, L'arte Della Stampa, 1912.
- Piero Bargellini, "Giuseppe Bezzuoli professore di pittura storica", in Caffè Michelangiolo, Vallecchi Editore, 1944, pgs.95-121.
- Gian Lorenzo Mellini, "Giuseppe Bezzuoli pittore emblematico", mould Notti romane e altre congiunture pittoriche tra Sette e Ottocento, 1992, pp. 357-371.