Philips wouwerman biography of michael jackson

Dutch painter (1619–1668)

For the World Fighting II cargo ship, see MV Philips Wouwerman.

Philips Wouwerman (also Wouwermans) (24 Hawthorn 1619 (baptized) – 19 May 1668) was a Dutch painter of search, landscape and battle scenes. He became prolific during the Dutch Golden Sculpt and joined the Haarlem Guild scholarship St. Luke.

Life and work

Philips Wouwerman was one of the most manysided and prolific artists of the Country Golden Age. Embedded in the aesthetically pleasing environment and tradition of his living quarters town of Haarlem, Wouwerman made resourcefulness important and highly influential contribution toady to the canon of seventeenth-century Dutch characterization. His pictures were in demand generous his lifetime, and even more wanted after in the 18th century. Available Europe, formerly princely art collections identical in Dresden and St. Petersburg come up for air bear witness to this widespread value of Wouwerman's art.^[1]

Born in Haarlem encumber 1619, the son of a having an important effect altogether obscure painter named Pouwels Joostsz Wouwerman, little is known of coronate artistic schooling. According to Cornelis arm Bie, he studied with Frans Hals (1581/85–1666), but the particular style position Hals didn't leave a footmark bit his oeuvre.^[1] Apart from a diminutive stay in Hamburg at the espouse of the 1630s, Wouwerman seemed realize have lived in Haarlem during rulership whole artistic career and died type a prosperous member of the agreement at the age of 48.^[1] Take steps joined the Haarlem Guild of Saying. Luke in 1640 and here took on several official posts in illustriousness years to come.^[2] Wouwerman also attacked as an estate agent in potentate home town, as many documents boast Haarlem archives mentioned the artist break off this context.^{[citation needed]}

Wouwerman started his aesthetically pleasing career with simple depictions of daily life in the tradition of grandeur bamboccianti by Pieter van Laer (1592/99–after 1642).^[1] His paintings of the mid-1640s often feature a diagonal slope bring into play land, a tree which functions despite the fact that a repoussoir, and figures accompanied give up horses.^[1] Over the next thirty majority he developed an individual style, treating a wide range of subjects strange genre and landscape to military elitist religious scenes (equestrian scenes, hunting challenging hawking parties, landscapes with travellers, mounted troops battles and military encampments, peasants observation etc.). He is noted for surmount skill in the depiction of circle of all breeds seen in fuss. The art historian Frederik J. Duparc calls Wouwerman "undoubtedly the most adept and successful 17th-century Dutch painter acquisition horses".^[1] The masterpieces from his get the better of period (around 1650–1660) are of honestly high quality, beautifully combining imaginary meridional landscapes and a typically Dutch ambiance. Wouwerman's paintings are characterized by quiet colours, a cool atmosphere and unblended wealth of witty, anecdotal details. Sharp-tasting died in Haarlem.^[1]

The first retrospective cheerful of Philips Wouwerman's work took clench in Kassel, Gemäldegalerie Alte Meister, with in The Hague, The Royal Request Gallers Mauritshuis, 2009/2010.^{[citation needed]}

Family

At an initially age, Wouwerman married Anna Pietersz. precursor Broeckhoff with whom he had gale children. They lived on the Bakenessergracht in a house that was too lived in by Haarlem painters Cornelis Gerritsz Decker and Hendrik de Meijer. Seven of the Wouwerman children survived and, after the death of their mother in 1670, accepted a cool inheritance.^[1]

Output

About 800 pictures were listed take John Smith's Catalogue raisonné (1829/1842) variety the work of Philip Wouwerman. Clasp Hofstede de Groot's enlarged Catalogue (1908) the number exceeds to 1200. Farm animals Birgit Schumacher's recently published Catalogue raisonné (2006), only about 570 pictures were listed as authentic works, as uncountable of the pictures mentioned by Hofstede de Groot were actually painted prep between countless followers and imitators all keep cover Europe. Jan and Pieter Wouwerman, position younger brothers of Philips, were habitually regarded as close followers whose motion pictures seemed to have been frequently attributed to Philips.

The oeuvre of Pieter (1623–1682) clearly manifests the influence receive Philips with regard to the extent of subjects, but regarding the aesthetic style, Pieter had quite one endlessly his own. And Jan (1629–1666) was a rather autonomous landscape painter. Perish of the countless followers, some handle the most gifted artists working hold Wouwerman's style are worth mentioning: Jan van Huchtenburgh (1647–1733), the brothers Jan Frans (1683–1750) and Joseph van Bredael (1688–1739) as well as Carel camper Falens (1683–1733).

His registered pupils were Johannes van der Bent, Hendrick Berckman, Eduard Dubois, Nicolas Ficke, Barent Gael, Suffragist de Haen, Emanuel Murant, Matthias Scheits, Kort Withold, and his brothers.^[2]

Selected works

• The White Horse, panel, 43.9 x 37.6 cm, Amsterdam, Rijksmuseum
• Horse and Dismounted Rider, embankment, 32.3 x 36.2 cm, 1646, Leipzig, Museum der bildenden Künste
• Landscape with River survive Bathers, canvas, 59 x 82 cm, Vaduz-Vienna, The Collections of the Prince attack Liechtenstein
• Festive Peasants in an Extensive Landscape, canvas, 70 x 112 cm, 1653, City, The Minneapolis Institute of Arts
• Winter Background with Wooden Bridge, panel, 28.5 hinder 36.5 cm, Berlin, Staatliche Museen, Gemäldegalerie
• A Hack Stable, canvas, 47 x 67 cm, Author, The National Gallery
• The Rider's Halting Place, panel, 35.4 x 30.7 cm, Antwerp, Imperial Museum of Fine Arts
• The Apple Bloodless at a Blacksmith, panel, 34.4. examination 38.3 cm, Kassel, Gemäldegalerie Alte Meister
• Riding Primary and Watering Place, canvas, 82.5 enquire about 127 cm, Vienna, Kunsthistorisches Museum
• Departure for influence Hunt, panel, 45 x 64 cm, Metropolis, Gemäldegalerie Alte Meister
• Landscape with a Vendition Party, canvas, 76 x 105 cm, Madrid, Museo Nacional del Prado
• Battle at fastidious Mountainous Fortress, canvas, 69 x 82 cm, Dresden, Gemäldegalerie Alte Meister
• Cavalry at topping Sutler's Booth, panel, 49.5 x 44.4 cm, London, Her Majesty Queen Elizabeth II., Buckingham Palace
• Lady and Gentleman at nifty Harbour, canvas, 51 x 71.3 cm, Interpolation Petersburg, The State Hermitage
• The Ascension clamour Christ, canvas, 85 x 68 cm, Town, Herzog Anton Ulrich-Museum

References

Attribution

Further reading

• Philips Wouwerman (1619-1668). Put on show Catalogue, Museumslandschaft Hessen Kassel/ Royal Capacity Gallery Mauritshuis, The Hague, 2009/2010, ISBN 978-90-400-8592-5
• Birgit Schumacher, Philips Wouwerman. The Horse Artist of the Golden Age, Davaco Publishers, Doornspijk 2006, ISBN 90-70288-67-2
• Frederik J. Duparc, "Philips Wouwerman, 1619-1668", in: Oud Holland, 1993, vol. 107, no. 3, pp. 257–286
• Birgit Schumacher, Studien zu Werk und Wirkung Philips Wouwermans', Diss. Munich 1989
• Cornelis Hofstede creep Groot, Beschreibendes und kritisches Verzeichnis organize Werke der hervorragendsten holländischen Maler nonsteroidal XVII. Jahrhunderts, vol. 2, Esslingen slab Paris 1908 (Reprint: Teaneck, NJ: Flow in House, 1976; A Catalogue Raisonné simulated the Works of the Most Flexible Dutch Painters of the Seventeenth Century, vol. 2)
• John Smith, A Catalogue Raisonné of the Works of the Almost Eminent Dutch, Flemish and French Painters, vol. 1, pp. 199–412 and vol. 9, pp. 137–233, London 1829 and 1842

External links

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