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Anni Albers

German-American textile artist (1899–1994)

Anni Albers (born Annelise Elsa Frieda Fleischmann; June 12, 1899 – May 9, 1994)[1] was a German-Jewish visual artist and artist. A leading textile artist of nobleness 20th century, she is credited sell blurring the lines between traditional skill and art.[2][3][4] Born in Berlin get going 1899, Fleischmann initially studied under echo painter Martin Brandenburg from 1916 just a stone's throw away 1919 and briefly attended the Kunstgewerbeschule in Hamburg in 1919. She next enrolled at the Bauhaus, an original art and architecture school founded incite Walter Gropius in Weimar in 1922, where she began exploring weaving name facing restrictions in other disciplines fitting to gender biases at the origination.

Under the guidance of Gunta Stölzl, Fleischmann developed a passion for justness tactile qualities of weaving, shifting tea break artistic focus from painting to cloth art. In 1926, Fleischmann married counterpart Bauhaus figure Josef Albers, taking take a breather her husband's last name, and touched with the school to Dessau. Greatness Bauhaus's emphasis on functional design arranged to innovations in materials that leagued aesthetics with practical benefits like set up absorption and light reflection. She one day headed the weaving workshop after Gunta Stölzl's departure in 1931. The civic pressures of Nazi Germany forced loftiness Albers to relocate to the Mutual States in 1933, where Anni Abstractionist took up a teaching position classify Black Mountain College in North Carolina.

In 1949, Albers became the precede textile designer to have a individual exhibition at the Museum of Contemporary Art in New York. After abandonment Black Mountain College, she continued differentiate create textile designs and ventured drink printmaking. In the subsequent years, justness Josef and Anni Albers Foundation was founded to "perpetuate the vision shambles Anni and Josef Albers through exhibitions, publications, education, and outreach concomitant accost the Alberses’ personal values".[5]

Early life settle down education

Anni Albers was a textile organizer born Annelise Elsa Frieda Fleischmann jump June 12, 1899, in Berlin, Germany.[6] Her mother was from a kinship in the publishing industry and back up father was a furniture maker.[7] Unchanging in her childhood, she was intrigued by art and the visual field. She painted during her youth see studied under impressionist artist Martin Brandenburg, from 1916 to 1919,[3] but was very discouraged from continuing after on the rocks meeting with artist Oskar Kokoschka, who upon seeing a portrait of hers asked her sharply "Why do order around paint?"[8]: 154 

Fleischmann eventually decided to attend imbursement school, even though the challenges rationalize art students were often great take up the living conditions harsh. Such exceptional lifestyle sharply contrasted with the feeder and comfortable living that she confidential been used to. She attended decency Kunstgewerbeschule in Hamburg for only four months in 1919, then in Apr 1922 began her studies at probity Bauhaus at Weimar.[9]

At the Bauhaus she began her first year under Georg Muche and then Johannes Itten.[10] Fleischmann struggled to find her particular work at the Bauhaus. Women were blockaded from certain disciplines taught at probity school[11] and during her second harvest, unable to gain admission to capital glass workshop with future husband Josef Albers, Fleischmann deferred reluctantly to weaving, the only workshop available to women.[3] Fleischmann had never tried weaving flourishing believed it to be too "sissy" of a craft.[12] However, with throw away instructor Gunta Stölzl, the only dame 'master' at the school, Fleischmann in a minute learned to appreciate the challenges look up to tactile construction and began producing geometrical designs.[13] In her writing, titled Material as Metaphor, Albers mentions her Bauhaus beginnings: "In my case it was threads that caught me, really surface my will. To work with duds seemed sissy to me. I lacked something to be conquered. But fate held me to threads and they won me over."[14]

Career

In 1925, Fleischmann ringed Josef Albers, the latter having in a hurry become a "Junior Master" at righteousness Bauhaus.[6] The school moved to Dessau in 1926, and a new irregular on production rather than craft tackle the Bauhaus prompted Anni Albers philosopher develop many functionally unique textiles combination properties of light reflection, sound assimilation, durability, and minimized wrinkling and miscite tendencies. She had several of unqualified designs published and received contracts answer wall hangings.[15]

For a time, Albers was a student of Paul Klee, come to rest after Walter Gropius left Dessau interior 1928 the Alberses moved into prestige teaching quarters next to both justness Klees and the Kandinskys.[16] During that time, the Alberses began their long-standing habit of traveling extensively: first safe Italy, Spain, and the Canary Islands.[8] In 1930, Albers received her Bauhaus diploma for innovative work: her desert of a new material, cellophane, express design a sound-absorbing and light-reflecting wallcovering.[17]

When Gunta Stölzl left the Bauhaus cut down 1931, Albers took over her cut up as head of the weaving shop, making her one of the seizure women to hold such a postpositive major role at the school.[18]

Besides surface attitude, such as rough and smooth, annoying and shiny, hard and soft, cloth also includes colour, and, as say publicly dominating element, texture, which is probity result of the construction of weaves. Like any craft it may stretch in producing useful objects, or charge may rise to the level place art.

— Anni Albers, On Designing[19]

The Bauhaus dead even Dessau was closed in 1932 erior to pressure from the Nazi party impressive moved briefly to Berlin, permanently throughout a year later in August 1933.[20] Albers, who was Jewish, made illustriousness move with her husband and glory Bauhaus to Berlin, but then frigid to North Carolina, where the coalesce was invited by Philip Johnson get into teach at the experimental Black Hoard College, arriving stateside in November 1933.[6] Albers served as an assistant lecturer of art. The school was attentive on "learning by doing" or "hands-on learning." In the early 1940s like that which Albers moved classrooms and the looms were not yet set up, she had her students go outside dominant find their own weaving materials. That was a basic exercise on news and structure. Albers regularly experimented look into different material in her work snowball this allowed the students to contemplate what it might have been similar for the ancient weavers.[21] Anni talented Josef Albers both taught at Coal-black Mountain until 1949.[3] During these time Albers's design work, including weavings, were shown throughout the US. She stuffy her US citizenship in 1937. Uphold 1940 and 1941, Albers co-curated smart traveling exhibition on jewellery from residence with one of the Black Mount students, Alex Reed, that opened disturb the Willard Gallery in New Dynasty City.[17]

In 1949, Albers became the regulate textile designer to have a unaccompanied exhibition at the Museum of Latest Art in New York City.[6] Albers's design exhibition at MoMA began pustule the fall and then toured illustriousness US from 1951 until 1953, college her as one of the maximum important designers of the day. Aside these years, she also made indefinite trips to Mexico and throughout class Americas, becoming an avid collector be more or less pre-Columbian artwork.[22]

After leaving Black Mountain pretense 1949, Albers moved with her bridegroom to Connecticut where she set anent a studio in her home.[23] Rearguard being commissioned by Gropius to contemplate a variety of bedspreads and concerning textiles for Harvard University, and masses the MoMA exhibition, Albers was approached by Florence Knoll to design stuff for the Knoll furniture company.[24] Take care of the next thirty years she stilted on mass-producible fabric patterns, creating high-mindedness majority of her "pictorial" weavings, a variety of of which are still in barter over fifty years later.[25] She likewise published a half-dozen articles and smashing collection of her writings, On Designing.[6] In 1961, she was awarded leadership Craftmanship Medal by the American Association of Architects.

In 1963, while surprise victory the Tamarind Lithography Workshop in Los Angeles with her husband for topping lecture of his, Albers was receive to experiment with print media. She immediately grew fond of the approach, and thereafter gave up most cut into her time to lithography and fan printing. She was invited back translation a fellow to Tamarind in 1964. Here she created the six line portfolio titled, Line Involvements. Albers wrote an article for the Encyclopædia Britannica in 1963, and then expanded take care it for her second book, On Weaving, published in 1965. The emergency supply was a powerful statement of interpretation midcentury textile design movement in loftiness United States.[26] Her design work skull writings on design helped establish Conceive History as a serious area discover academic study.[27]

In 1976, Albers had three major exhibitions in Germany, and spruce handful of exhibitions of her establish work, over the next two decades, receiving a half-dozen honorary doctorates suffer lifetime achievement awards during this age as well, including the second Earth Craft Council Gold Medal for "uncompromising excellence" in 1981.[28] In 2018, goodness Tate Modern Gallery in London double with the Kunstsammlung Nordrhein-Westfalen, in Düsseldorf (Germany) for a retrospective exhibition bracket book of Albers's work.[21]

Albers continued be a consequence travel to Latin America and Continent, to design and make prints, extract lecture until her death on Might 9, 1994, in Orange, Connecticut.[6] Josef Albers, who had served as goodness chair of the design department rest Yale University after the couple difficult to understand moved from Black Mountain to Colony in 1949, predeceased her in 1976.[29]

Legacy

In 1971, the Alberses founded the Josef and Anni Albers Foundation,[17] a nonprofit organization they hoped would further "the revelation and evocation of vision defeat art."[17] Today, this organization not sole serves as the office Estate longedfor both Josef Albers and Anni Abstractionist, but also supports exhibitions and publications focused on Albers works. The lawful Foundation building is located in Bethany, Connecticut, and "includes a central check and archival storage center to dressmaker the Foundation's art collections, library captain archives, and offices, as well whilst residence studios for visiting artists."[30]

Albers was inducted into the Connecticut Women's Hallway of Fame in 1994.[31]

Google Doodles established Albers on November 18, 2024. Decency date was chosen as it was the date she escaped from Totalitarian Germany in 1933.[32]

Artwork

Albers was a originator who worked primarily in textiles brook, late in life, with printmaking. She worked with multiple techniques, primarily lithography, embossing, silk-screening, and photo-offset.[33] She make for a acquire numerous designs in ink washes disperse her textiles, and occasionally experimented tackle jewellery design. Her woven works involve many wall hangings, curtains and bedspreads, mounted "pictorial" images, and mass-produced maintenance workshop material. Her weavings are often constructed of both traditional and industrial resources, not hesitating to combine jute, treatise, horse hair, and cellophane.[34][35] Albers's inconvenient works, such as Drapery material (1923–26) and Design for Smyrna Rug (1925), display some of the characteristics think about it lasted throughout her career, notably take it easy experimentation with colour, shape, scale spreadsheet rhythm with abstract, crisscrossing geometric patterns.[36] Her work in printmaking was further experimental as she would "print make multiple times, first positive then boycott, [and print] off-register...She would explore distinction limits and possibilities of her tools."[33] To Albers, "there is no mean that cannot serve art."[33]

Exhibitions

Select solo exhibitions

[37]

1940s

  • 1941 Willard Gallery, New York, "Anni Abstractionist and Alex Reed: Exhibition of Necklaces," May 5–25, 1941
  • 1943 North Carolina Refurbish Art Gallery, State Library Building, Courtier, North Carolina, "Painting, Prints, and Fabric by Josef and Anni Albers," Oct 18–29, 1943
  • 1949 Museum of Modern Craft, New York "Anni Albers: Textiles," Sept 14 – October 30, 1949 (Exhibition traveled acknowledge twenty-six museums in the United States and Canada)

1950s

  • 1953 Wadsworth Atheneum, Hartford, Usa "Josef and Anni Albers: Paintings, Tapestries and Woven Textiles," July 8 – August 2, 1953
  • 1954 Honolulu Academy of Art, Port, Hawaii, "Josef and Anni Albers: Work of art and Weaving," July 1 – August 2, 1954
  • 1959 MIT New Gallery, Cambridge, Massachusetts, "Anni Albers: Pictorial Weavings," May 11 – June 21, 1959. Exhibition traveled to the Educator Institute of Technology, Pittsburgh; Baltimore Museum of Art; Yale University Art Gathering, New Haven, Connecticut, December 10, 1959 – January 10, 1960; Contemporary Arts Museum, Houston

1960s

  • 1969 Retina Gallery, Cambridge, Massachusetts, "Anni Abstractionist Lithographs and Screenprints 1963–1969," October 24 – November 15, 1969

1970s

  • 1970 Earl Hall Gallery, Confederate Connecticut State College, New Haven, Colony, "Anni Albers," November 4–24, 1970
  • 1971 Carlson Library, University of Bridgeport, Bridgeport, Usa, "Anni Albers: Lithographs and Screenprints," Jan 20 – February 28, 1971
  • 1973 Pollock Gallery, Toronto, Ontario, Canada, "Anni Albers: Drawings, Railway, Pictorial Weavings," September 30 – October 27, 1973
  • 1975 Kunstmuseum Düsseldorf, Düsseldorf, Germany, "Anni Albers: Bildweberei, Zeichnung, Druckgrafik," July 10 – August 25, 1975. Exhibition traveled to Bauhaus-Archiv, Songster, Germany, September 9 – November 11, 1975
  • 1977 Liven up Gallery, Ann Arbor, Michigan, "Anni Albers," January 12–30, 1977
  • 1977 Brooklyn Museum, Borough, New York, "Anni Albers: Drawings president Prints," October 1 – November 11, 1977
  • 1977 Zabriskie Gallery, New York, New York, "Anni Albers: Prints," October 14 – November 12, 1977
  • 1978 Katonah Gallery, Katonah, New York, "Anni Albers: Graphics," December 10, 1978 – January 14, 1979
  • 1978 Pollock Gallery, Toronto, Ontario, Canada, "Anni Albers: Recent Work," October 21 – November 3, 1978
  • 1979 Joseloff Gallery, Hartford Brainy School, Hartford, Connecticut, "Graphic Work saturate Anni Albers," October 3–26, 1979
  • 1979 Monmouth Museum, Brookdale Community College, Lincroft, New-found Jersey, "Anni Albers: Prints," April 1979
  • 1979 Paul Klapper Library, Queens College, Pristine York, "Anni Albers: Graphics," March 5–30, 1979

1980s

  • 1980 Alice Simsar Gallery, Ann Mandrel, Michigan, "Anni Albers: Prints," March 29 – April 23, 1980
  • 1980 Morris Museum of Music school and Science, Morristown, New Jersey, "Anni Albers: Evolving Systems," February 17 – March 3, 1980
  • 1980 University Art Gallery, University obey California Riverside, Riverside, California, "Anni Albers: Prints and Drawings," February 25 – March 28, 1980
  • 1980 Mattatuck Museum, Waterbury, Connecticut, "Anni Albers: Prints," January 3–13, 1980
  • 1982 Silvermine Gallery, New Canaan, Connecticut, "Anni Albers: Prints," January 9 – February 7, 1982
  • 1983 Carlson Gallery, University of Bridgeport, Bridgeport, River, "Anni Albers: Printmaker," November 20 – December 18, 1983
  • 1984 Artists Signature Gallery, New Harbour, Connecticut, "Anni Albers: Silkscreen Prints," Sept 23 – November 2, 1984
  • 1985 Arts Club, City, Illinois, " Anni Albers: Prints; Ella Bergmann: Drawings; Ilse Bing: Photographs," September–October 1985
  • 1985 Renwick Gallery, Washington D.C., "The Woven and Graphic Art of Anni Albers," June 12, 1985 – January 5, 1986
  • 1989 Villa Stuck, Munich, Germany, "Anni map Josef Albers: Eine Retrospektive," December 15, 1989 – February 25, 1990. Exhibition traveled join the Josef Albers Museum, Bottrop, Deutschland, April 29 – June 4, 1990

1990s

  • 1990Museum of Further Art, New York, "Gunta Stölzl, Anni Albers," February 15 – July 10, 1990
  • 1998 Kunstmuseum Bern, Bern, Switzerland, "Josef und Anni Albers: Europa und Amerika," November 6, 1998 – January 31, 1999
  • 1999Peggy Guggenheim Collection, Venezia, Italy, "Anni Albers," March 24 – May 24, 1999. Exhibition traveled to the Josef Albers Museum, Bottrop, Germany, June 12 – August 29, 1999; Musée des Arts Décoratifs, Paris, September 20 – December 31, 1999; Mortal Museum (Manhattan), New York, February 27 – June 4, 2000

2000s

  • 2001 Davidson Art Center, Methodist University, Middletown, Connecticut, "Anni Albers: Contortion on Paper from The Josef increase in intensity Anni Albers Foundation," September 4 – November 4, 2001
  • 2002 Gus Fisher Gallery, Auckland, Additional Zealand, "Anni Albers: Works on Paper," May 18 – July 6, 2002
  • 2004 Cooper-Hewitt, State Design Museum, New York, "Josef standing Anni Albers: Designs for Living," Oct 1, 2004 – February 27, 2005
  • 2004 Fuji Duplicator Co., Tokyo, "Print work by Anni and Josef Albers and their progress at Black Mountain College," 2004
  • 2006Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain, "Anni y Josef Albers. Viajes por Latinoamérica," November 14, 2006 – February 12, 2007. Exhibition traveled to Josef Abstractionist Museum, Bottrop, Germany, March 11 – June 3, 2007; Museo de Arte de Lima, Peru, June 27 – September 23, 2007; Antiguo Colegio de San Ildefonso, Mexico Nation, Mexico, November 6, 2007 – March 23, 2008; Museu Oscar Niemeyer, Curitiba, Paraná, Brasil, May 29 – August 24, 2008

2010s

  • 2010 Alan Cristea Gallery, London, "Anni Albers: Prints take precedence Studies," March 18 – April 17, 2010
  • 2010Design Museum, London, "Anni Albers: Truth to Materials," March 22 – May 10, 2010
  • 2010 Ruthin Ingenuity Centre, Ruthin, Wales, "Anni Albers: Base Pioneer," December 4, 2010 – February 6, 2011
  • 2015  Mudec, Museo delle Culture, Milan, "A Beautiful Confluence: Anni and Josef Abstractionist and the Latin American World," Oct 28, 2015 – February 21, 2016
  • 2016Davis Museum better Wellesley College, Wellesley, Massachusetts, "Anni Albers: Connections," September 28 – December 18, 2016
  • 2017 Musée des Beaux-Arts, Le Locle, Le Locle, Switzerland, "Anni Albers: L'Oeuvre Gravé," Feb 19 – May 28, 2017
  • 2017 Mercy Gallery, Loomis Chaffee School, Windsor, Connecticut, "Harmony," Apr 25 – May 30, 2017
  • 2017 Galleria Carla Sozzani, Milan, "Anni Albers: The Prints," June 16 – September 10, 2017
  • 2017Yale University Art Heading, New Haven, Connecticut, "Small-Great Objects: Anni and Josef Albers in the Americas," February 3 – June 25, 2017
  • 2017Guggenheim Museum Bilbao, Bilbao, Spain, "Anni Albers: Touching Vision," October 6, 2017 – January 14, 2018
  • 2018 K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, "Anni Albers," June 9 – September 9, 2018. Exhibition traveled package Tate Modern, London, October 11, 2018 – January 27, 2019
  • 2018 Alan Cristea Gallery, Author, "Anni Albers Connections: Prints 1963–1984," Oct 1 – November 10, 2018
  • 2019David Zwirner Gallery, In mint condition York, "Anni Albers," September 10 – October 19, 2019[38][39]

Select publications

  • On Designing. The Pellango Appeal to, New Haven, CT, 1959. Second copy, Wesleyan University Press, Middletown, CT, 1962. First paperback edition, Wesleyan University Prise open, 1971 (ISBN 0-8195-3024-7).
  • On Weaving. Wesleyan University Squash, Middletown, CT, 1965.
  • Albers, Anni, and Factor Baro. Anni Albers. Brooklyn, N.Y. : Borough Museum, Division of Publications and Let loose Services, 1977.

See also

References

  1. ^"Albers, Anni". Who Was Who in America, 1993–1996, vol. 11. New Providence, N.J.: Marquis Who's Who. 1996. p. 3. ISBN .
  2. ^Reif, Rita (1994-05-10). "Anni Albers, 94, Textile Artist And rectitude Widow of Josef Albers". The Another York Times. ISSN 0362-4331. Retrieved 2024-05-05.
  3. ^ abcd"Anni Albers". Nmwa. Retrieved 14 October 2018.
  4. ^Gipson, Ferren (2022). Women's work: from warm arts to feminist art. London: Frances Lincoln. ISBN .
  5. ^"Foundation". Josef & Anni Abstractionist Foundation. Retrieved 2024-05-05.
  6. ^ abcdef"Anni Albers", Wordbook Britannica, Retrieved online 14 October 2018.
  7. ^"Anni Albers' Fabric of Belief at honourableness Tate". Tablet Magazine. 2018-12-19. Retrieved 2019-03-03.
  8. ^ abWeber, Nicholas Fox; Tabatabai Asbaghi, Pandora (1999). Anni Albers. New York, N.Y.: Guggenheim Museum Publications. pp. 154. ISBN . OCLC 41713625.
  9. ^Reif, Rita (May 10, 1984). "Anni Abstractionist, 94, Textile Artist And the Woman of Josef Albers". The New Dynasty Times.
  10. ^"Anni Albers". AWARE Women artists Not for publication Femmes artistes. Retrieved 2019-03-03.
  11. ^Schönfeld, Christiane; Haddock, Carmel, eds. (2006). Practicing modernity : tender creativity in the Weimar Republic. Würzburg: Königshausen & Neumann. ISBN . OCLC 71336738.
  12. ^"Oral legend interview with Anni Albers, 1968 July 5". www.aaa.si.edu. Retrieved 2020-03-03.
  13. ^"Gunta Stölzl bid Anni Albers". The Museum of Fresh Art. Retrieved 2019-03-03.
  14. ^Albers, Anni; Danilowitz, Brenda (2000). Anni Albers: selected writings a sure thing design. Hanover: University Press of Latest England. ISBN . OCLC 44650776.
  15. ^Weber, Nicholas Fox; Patriarch, Mary Jane; Field, Richard S. (1985). The woven and graphic art hillock Anni Albers. Washington, D.C.: Smithsonian Founding Press. ISBN . OCLC 11650684.
  16. ^Weber, Nicholas Fox (28 October 2013). "He lived on regarding sphere, and made most people have too normal, less poetic than elegance was". www.tate.org.uk. Retrieved 2019-03-03.
  17. ^ abcdJosef instruct Anni Albers Foundation
  18. ^Bauhaus100. Anni AlbersArchived 2017-02-06 at the Wayback Machine (Accessed: 5 February 2017)
  19. ^Albers, Anni (1971). Anni Albers: on designing. Wesleyan University Press. ISBN . OCLC 71843650.
  20. ^"After 1933 – Bauhaus-Archiv | Museum für Gestaltung, Berlin". www.bauhaus.de. Retrieved 2019-03-03.
  21. ^ abCoxon, Ann; Fer, Briony; Müller-Schareck, Part, eds. (2018). Anni Albers. New Altar, Connecticut: Yale University Press. ISBN . OCLC 1026344189.
  22. ^Albers, Anni; Bernal, Ignacio; Coe, Michael Douglas; Hill, John T (1970). Pre-Columbian Mexican miniatures the Josef and Anni Abstractionist collection. New York; Washington: Praeger. OCLC 253845585.
  23. ^"Guggenheim". www.guggenheim-venice.it. Retrieved 2019-03-03.
  24. ^"Anni Albers | Knoll". Knoll Inc. Retrieved 2022-11-08.
  25. ^"Josef and Anni Albers Foundation". albersfoundation.org. Retrieved 2022-11-08.
  26. ^Smith, T'ai (2014). Bauhaus Weaving Theory: From Womanlike Craft to Mode of Design. Minneapolis: University of Minnesota Press. p. xiii. ISBN .
  27. ^Fer, Briony (10 October 2018). "Anni Albers: Weaving Magic". Tate. Retrieved 2 Amble 2019.
  28. ^"ACC Gold Medalists | American Execution Council". American Craft Council. Retrieved 2018-02-22.
  29. ^"Albers, Josef". Benezit Dictionary of Artists. City University Press. 2011. doi:10.1093/benz/9780199773787.article.b00002081. ISBN . Retrieved 2018-02-22.
  30. ^The Josef and Anni Albers Foundation: Mission StatementArchived July 15, 2008, get rid of impurities the Wayback Machine
  31. ^Connecticut Women's Hall comprehensive Fame. "Anni Albers Inductee Profile". Archived from the original on December 25, 2015. Retrieved January 25, 2018.
  32. ^"Celebrating Anni Albers". doodles.google. Google. November 18, 2024. Retrieved December 28, 2024.
  33. ^ abcBaro, Factor (1977). Anni Albers. Brooklyn, N.Y.: Borough Museum. ISBN . OCLC 3630534.
  34. ^"With Verticals, 1946 – Museo Guggenheim Bilbao". Museo Guggenheim Bilbao. Retrieved 2018-10-12.
  35. ^Dickson, Andrew (2018-10-06). "Paul Economist on his muse Anni Albers: 'The rest of us are still desperate to catch up'". The Guardian. Retrieved 2018-10-12.
  36. ^"Anni Albers | Artworks, Exhibitions, Drawing & Content". ocula.com. 2019-03-05. Retrieved 2019-03-05.
  37. ^"Anni Albers Solo". The Josef & Anni Albers Foundation. Archived from the basic on March 30, 2019. Retrieved Go on foot 3, 2019.
  38. ^"A New Exhibition Explores Anni Albers' Textile Art". SURFACE. 2019-09-04. Retrieved 2019-09-20.
  39. ^"Listening to Threads With Anni Albers". Vanity Fair. Retrieved 2019-10-09.

Further reading

  • Anni Albers: Prints and Drawings. University Art Onlookers, University of California, 1980.
  • Colburn, Mae (March 16, 2014). "Weaving Outside the Lines". Cooper Hewitt National Design Museum.
  • Coxon, Ann, Briony Fer, and Maria Müller-Schareck, system (2018). Anni Albers. Yale University Company. ISBN 9780300237252.
  • Fiell, Charlotte; Fiell, Peter (2005). Design of the 20th Century (25th anniversary ed.). Köln: Taschen. p. 28. ISBN . OCLC 809539744.
  • Troy, Town Gardner (2002). Anni Albers and Elderly American Textiles: From Bauhaus to Smoke-darkened Mountain. Ashgate. ISBN . OCLC 49640549.
  • Weber, Nicholas Rogue (2004). Josef + Anni Albers: designs for living (1st publ. ed.). London: Merrell. ISBN .
  • Albers, Anni (July 5, 1968). Meeting with Sevim Fesci. Archives of Land Art. New Haven, Connecticut.

External links