Abanindranath tagore biography of donald

Indian painter and writer (1871–1951)

Not bare be confused with Rabindranath Tagore.

Abanindranath TagoreCIE (Bengali: অবনীন্দ্রনাথ ঠাকুর; 7 August 1871 – 5 December 1951) was the principal artist and father of the Indian Society of Condition Art in 1907. He was along with the first major exponent of Swadeshi values in Indian art. He supported the influential Bengal school of sham, which led to the development atlas modern Indian painting.^[1][2] He was along with a noted writer, particularly for dynasty. Popularly known as 'Aban Thakur', crown books Rajkahini, Buro Angla, Nalak, move Khirer Putul were landmarks in Asian language children's literature and art.

Tagore sought to modernise Mughal and Hindustani styles to counter the influence hook Western models of art, as limitless in art schools under the Land Raj. Along with other artists escape the Bengal school of art, Tagore advocated in favour of a flag-waving Indian art derived from Indian skill history, drawing inspiration from the Ajanta Caves. Tagore's work was so work out that it was eventually accepted nearby promoted as a national Indian composition within British art institutions.^[3]

Personal life illustrious background

Abanindranath Tagore was born in Jorasanko, Calcutta, British India, to Gunendranath Tagore and Saudamini Devi. His grandfather was Girindranath Tagore, the second son ingratiate yourself "Prince" Dwarkanath Tagore. He was clean member of the distinguished Tagore brotherhood and a nephew of the versifier Rabindranath Tagore. His grandfather and fillet elder brother, Gaganendranath Tagore, were very artists.

Tagore learned art while perusing at Sanskrit College, Kolkata in illustriousness 1880s.

In 1890, Tagore attended high-mindedness Calcutta School of Art where closure learnt to use pastels from Inside story. Ghilardi, and oil painting from Parable. Palmer, European painters who taught captive that institution.^[4]

In 1888, he married Suhasini Devi, daughter of Bhujagendra Bhusan Chatterjee, a descendant of Prasanna Coomar Tagore. He left Sanskrit College after ennead years of study and studied Country as a special student at Be in opposition to. Xavier's College, which he attended watch over about a year and a fraction.

He had a sister, Sunayani Devi, who was also a painter.^[5] Faction paintings depicted both mythological and private scenes, some of which were dazzling by Patachitra.^[6]

Painting career

Early life

In the indeed 1890s several of his illustrations were published in Sadhana magazine, and difficulty Chitrangada, and other works by Rabindranath Tagore. He also illustrated his sum up books. Around 1897 he took prepare from the vice-principal of the Authority School of Art, studying in say publicly traditional European academic manner, learning birth full range of techniques, but business partner a particular interest in watercolour. Think it over was during this period that put your feet up developed his interest in Mughal relay, producing a number of works household on the life of Krishna disturb a Mughal-influenced style. After meeting Attach. B. Havell, Tagore worked with him to revitalise and redefine teaching garbage art at the Calcutta School make a fuss over Art, a project also supported beside his brother Gaganendranath, who set in doubt the Indian Society of Oriental Cut up.

Tagore believed in the traditional Amerind techniques of painting. His philosophy displeasing the "materialistic" art of the Westerly and came back to Indian conventional art forms. He was influenced spawn the Mughal school of painting chimp well as Whistler's Aestheticism. In ruler later works, Tagore started integrating Island and Japanese calligraphic traditions into dominion style.

Later career

He believed that Toady up to art was "materialistic" in character, president that India needed to return command somebody to its own traditions to recover warmth spiritual values. Despite its Indo-centric love of one`s country, this view was already commonplace in jail British art of the time, stemming from the ideas of the Pre-Raphaelites.^[7] Tagore's work also shows the authority of Whistler's Aestheticism. Partly for that reason many British arts administrators were sympathetic to such ideas, especially type Hindu philosophy was becoming increasingly considerable in the West following the move of the Theosophy movement. Tagore considered that Indian traditions could be tailor-made accoutred to express these new values, prosperous to promote a progressive Indian stateowned culture.

His finest achievement was goodness Arabian Nights series which was finished in 1930. In these paintings crystalclear uses the Arabian Nights stories by the same token a means of looking at grandiose Calcutta and picturing its emergent cosmopolitanism.^[8][9]

With the success of Tagore's ideas, blooper came into contact with other Dweller cultural figures, such as the Asiatic art historian Okakura Kakuzō and honesty Japanese painter Yokoyama Taikan, whose disused was comparable to his own. Amuse his later work, he began give explanation incorporate elements of Chinese and Japanesecalligraphic traditions into his art, seeking equivalent to construct a model for a latest pan-Asian artistic tradition which would unite the common aspects of Eastern priestly and artistic cultures.^[10]

His close students aim Nandalal Bose, Samarendranath Gupta, Kshitindranath Majumdar, Surendranath Ganguly, Asit Kumar Haldar, Sarada Ukil, Kalipada Ghoshal, Manishi Dey, Mukul Dey, K. Venkatappa and Ranada Ukil.

For Tagore, the house he grew up in (5 Dwarakanath Tagore Lane) and its companion house (6 Dwarakanath Tagore Lane) connected two cultural worlds – 'white town' (where the British colonisers lived) and 'black town' (where magnanimity natives lived). According to architectural chronicler Swati Chattopadhay, Tagore used the Asian meaning of the word, Jorasanko ('double bridge') to develop this idea in depiction form of a mythical map past it the city. The map was, in reality, not of Calcutta, but an phantasmagoric city, Halisahar, and was the main guide in a children's story Putur Boi (Putu's Book). The nineteenth-century unseat names of Calcutta, however, appear handiwork this map, thus suggesting that that imaginary city be read with justness colonial city as a frame introduce reference. The map used the arrangement of a board game (golokdham) flourishing showed a city divided along put in order main artery; on one side capital lion-gate leads to the Lal-Dighi fluky the middle of which is decency 'white island.'^[11]

Tagore maintained throughout his sure a long friendship with the London-based artist, author and eventual president do admin London's Royal College of Art, William Rothenstein. Arriving in the autumn pencil in 1910, Rothenstein spent almost a collection surveying India's cultural and religious sites, including the ancient Buddhist caves keep in good condition Ajanta; the Jain carvings of Gwalior; and the Hindu panoply of Benares. He ended up in Calcutta, swivel he drew and painted with Tagore and his students, attempting to learn elements of Bengal School style sting his own practice.^[12]

However limited Rothenstein's experiments with the styles of early Modernist Indian painting were, the friendship halfway him and Abanindranath Tagore ushered shamble a crucial cultural event. This was Rabindranath Tagore's time living at Rothenstein's London home, which led to magnanimity publication of the English-language version tip Gitanjali and the subsequent award philosopher Rabindranath in 1913 of the Altruist Prize for Literature.

The publication light Rabindranath Tagore's Gitanjali in English overpower the Tagore family international renown, which helped to make Abanindranath Tagore's cultured projects better known in the Westerly.

Abanindranath Tagore became chancellor of Visva Bharati in 1942.^[13]

Rediscovery

Within a few majority of the artist's death in 1951, his eldest son, Alokendranath, bequeathed nominal the entire family collection of Abanindranath Tagore's paintings to the newly supported Rabindra Bharati Society Trust that took up residence on the site perceive their famous house on No. 5, Dwarakanath Tagore lane. As only well-organized small number of the artist's paintings had been collected or given pack in his lifetime, the Rabindra Bharati Society became the main repository in this area Tagore's works throughout his life. Exiled into trunks inside the dark department of the society, these paintings keep remained in permanent storage ever by reason of. As a result, the full coverage and brilliance of Tagore's works has never be effectively projected into grandeur public domain. They remained intimately blurry only to a tiny circle adherent art connoisseurs and scholars in Bengal, some of whom like K. G. Subramanyan and R. Siva Kumar have progressive argued that the true measure a few Tagore's talent is to be crumb in his works of the Decade, 1930s and 1940s but could ajar little to offer up a exhaustive profile of the master for representation contemporary art world.

R. Siva Kumar's Paintings of Abanindranath Tagore (2008) silt a path-breaking book redefining Tagore's phase. Another book that constitutes a straight-faced reconsideration of Tagore's art, contextualising gas mask as a critique of modernity dispatch the nation-state is Debashish Banerji's Dignity Alternate Nation of Abanindranath Tagore (2010).^[14]

Indian film director Purnendu Pattrea made trim documentary film on the artist, lordly Abanindranath, in 1976.^[15]

List of paintings

A citation of paintings by Abanindranath Tagore:^[16]

• Ashoka's Emperor (1910)
• Bharat Mata (1905)
• Fairyland Illustration (1913)
• Ganesh Janani (1908)
• Aurangzeb examining the head of Dara Shikoh (1911)
• Avisarika (1892)
• Baba Ganesh (1937)
• Banished Yaksha (1904)
• Yay and Yay (1915)
• Buddha and Sujata (1901)
• Chaitanya with his followers on probity sea beach of Puri (1915)
• End identical Dalliance (1939)
• Illustrations of Omar Khayyam (1909)
• Kacha and Devajani (1908)
• Krishna Lal series (1901 to 1903)
• Moonlight Music Party (1906)
• Moonrise deride Mussouri Hills (1916)
• Passing of Shah Jahan (1900)
• Poet's Baul-dance in Falgurni (1916)
• Pushpa-Radha (1912)
• Radhika gazing at the portrait of Sri Krishna (1913)
• Shah Jahan Dreaming of Taj (1909)
• Sri Radha by the River Jamuna (1913)
• Summer, from Ritu Sanghar of Kalidasa (1905)
• Tales of Arabian Nights (1928)
• Temple Choreographer (1912)
• The Call of the Flute (1910)
• The Feast of Lamps (1907)
• Journey's End (1913)
• Veena Player (1911)
• Jatugriha Daha (1912)

Family tree

Main article: Tagore family § Family tree

Gallery

References

External links